La gran comedia de |
|
La Magdalena de Roma |
|
de don Juan Bautista Diamante 1 |
|
|
|
Edited version, by R.V. Pringle , based on the 1713 Zaragoza MS.
Revised edition, July 2007
|
|
Catalina la bella |
Lupercio |
|
Rosaura, dama |
Filipo, galán |
|
Porcia, dama |
Leonardo, galán |
|
Fenisa, criada |
Golondrino, criado |
|
Santo Domingo |
Un mancebo |
|
Soleta, gracioso |
Un niño que hace a Cristo |
|
Dos ángeles |
Rosendo, y peones de albañil2 |
|
Una niña que hace a nuestra Señora |
Músicos |
For a Synopsis of the play click here. For a key to Printed and Manuscript sources, click here. For a discussion of the play's Authorship and Date click here. For a discussion of Thematic sources click here. For Textual variants, click here. For Notes on the text, click here. For the Inquisitional censuras of 1758 attached to the
|
||
|
|
|
(1) For a discussion of the play's authorship, including a possible attribution to Pedro Francisco Lanini y Sagredo, click here. For a checklist of plays by or atttributed to Juan Bautista Diamante, click here. For more information on Juan Bautista Diamante go to the Wikipedia article. <back> |
||
(2) There is no speech for a Rosendo in any known versions of the play. The name was probably meant for the workman resurrected by St Dominic in Act I (vv. 501-548), who first appears in the text as 'Peón 2°' but is then addressed as 'Francisco' by St Dominic. See my editor's note at v. 523. <back>
|