[The Chiroplast Companion by J.B. Logier] [1815?] [Clementi and Compy., 26 Cheapside, and to be had of the Author at his Musical Academy, Sackville Street, Dublin]
Sequel | to the | Chiroplast Companion, | to facilitate the attainment of a proper method of playing on the | Piano Forte, | being a succession of | Progressive Lessons, | grounded upon the Harmonies of the Early Easy Lessons in that Work; so as to be played with them | In Concert | by Pupils more advanced in their Studies, | Composed by | J.B. Logier, | Inventor of the Royal Patent Chiroplast or Hand Director | and Founder of this System of Musical Tuition [1815?] Clementi and Compy., 26, Cheapside, and to be had of the Author at his Musical Academy, Sackville Street, Dublin
Sequel | to the | Second Companion | to the | Chiroplast, | Being a Succession of | Progressive Lessons, | so arranged as to be played | In Concert, | With the easy Lessons contained in that Work: | Composed & Dedicated | to His Pupils, | by | J.B. Logier [1817?] J. Green, Music Agent, 28, Norfolk St, Strand
A Second Companion | to the | Royal Patent Chiroplast | or | Hand Director, | Calculated to accompany the progressive advancement of the | Musical Student, | Dedicated to his Juvenile Pupil, Miss Augusta Charlotte Goold, | by | J.B. Logier [c1817] J. Green, Music Agent, 28, Norfolk Street, Strand :: Price 4/-
Logier's | Theoretical & Practical Study | for the | Piano Forte | comprising | A Series of Compositions selected from the most Classical Works, both | Ancient and Modern | Being a continuation on Instructions on his System of | Musical Education; arranged with Inverted and Fundamental Basses, Finger'd throughout, and | Dedicated to his Pupils. | No. 1 (-5,7) [1817] Clementi & Co, and sold by him [ie Logier] at his Musical Saloon, 27, Sackville Street, Dublin :: Price [each no.] 5 Shills.
6 bks Sig. 'Miss Anne Fergusson, Apl. 8th 1817' on t.p. no. 1; then 1st May 1817 (no. 2), 23 July 1817 (no. 4)
NB Concertos, etc scored as for Keyboard but with a figured bass and a real bass – not to be played but showing the harmonic progressions
no. 1 'Sketch of the Life of Corelli Extracted from Doctor Burney's History of Music' (pp.1-3) followed by Corelli's First Concerto (pp.3-15) no. 2 'Sketch of the Life of Corelli Extracted from Doctor Burney's History of Music' (pp.1-3) followed by Corelli's Eighth Concerto (pp.4-18) no. 3 'Sketch of the Life of Handel Extracted from Doctor Burney's History of Music' (pp.[5]-7) followed by Handel's Occasional Overture (pp.3-14) no. 4 Continuation of 'Life of Handel Extracted from Doctor Burney's History of Music' (pp.[3]-5) followed by the Overture to Handel's Esther (pp.4-15) no. 5 (or 6?) 'Sketch of the Life of Haydn Extracted from Doctor Burney's history of Music' (pp.[3]-4) followed by Haydn's Symphony no.53 (first two movements only, without introduction - pp.4-21) no. 7 'Sketch of the life of Mozart Extracted from Doctor Burney's History of Music' (pp.[3]-5) followed by Mozart's Overture to Die Zauberflöte (pp.3-16)
Also: (in no. 1) Advertisement for Chiroplast-Hall, April 20, 1816
