A Third Sett of Six | Concertos | for the | Harpsichord or Piano Forte | With Accompaniments for two Violins and a Bass two Hauboys and two French horns ad libitum | Humbly Dedicated to | Mrs. Pelham | and Composed by | John Christian Bach | Music Master to | Her Majesty the | Queen of Great Britain | Opera XIII [Keyboard parts] [1777] John Welcker No. 9 Hay Market opposite the Opera House
Keyboards only
pp.1-56 Sig. M. Bristow top R.H. corner
Concerto 1 in C: Allegro; Rondeau: Allegretto Concerto 2 in D: All[egr.o con Spirito; Andante; Allegro Concerto 3 in F: Allegro con brio; Rondeau: Allegro Concerto 4 in B flat: Allegro; Andante; Andante con moto Concerto 5 in G: Allegretto; Tempo di Minuetto Concerto 6 in E Flat: Allegro; Tempo di Menuetto: Andante
Six Sonatas | for the | Piano Forte, | Harpsichord or Harp | with Accompaniments for a | Violin and Violoncello | Composed & humbly Dedicated to | Miss Ottley | by | Antonio Kammell | Opera IX [1775] Welcker No. 9 Hay Market facing the Opera House
Keyboard only
pp.1-35
Sonata 1 in F. Allegro; Allegretto Sonata 2 in G. All[egro mod[erato (begins with Violino Solo); Tempo di Menuetto Sonata 3 in E. Allegro non tanto; Andantino Grazioso Sonata 4 in E flat. Allegro non molto; Tempo di Menuetto, Espressivo Sonata 5 in B flat. All[egro mod[erato; Allegro Sonata 6 in C. Allegro non tanto; Tempo di Menuetto
Six | Concerto's | for the | Piano-Forte or Harpsichord | Composed by | Signr. Giordani | Op. XIV | Humbly Dedicated | to the Honble. | Miss Bertie [1775] Longman Lukey & Broderip No. 26 Cheapside
Keyboard only
pp.2-45
No. 1 in F: Allegro; Allegretto non Molto No. 2 in B flat: Allegro; Largo; Allegretto, Rondo No. 3 in C: Allegro Spiritoso; Larghetto (My Lodging is on the Cold Ground &c); Presto No. 4 in E flat: Allegro Maestoso; Allegretto No. 5 in D: Allegro; Rondo, Spiritoso No. 6 in G: Allegro Maestoso; Larghetto; Tempo di Minuetto
Two | Sonatas | for the | Harpsichord or Piano Forte | with an Accompaniment for a | Violin and Violoncello | Composed by | G.S. Loechlin | Op. VI Longman & Broderip, No. 26 Cheapside & No. 13 Hay Market
pp.2-10 Sig. M. Bristow on t.p.
No. 1 in C: All[egr]o Moderato; Andantino; Rondo No. 2 in G:
All[egr]o con brio; Andante; Rondo poco vivace e scherzoso
Six | favorite | Canzonets | with an accompanyment for a | Piano-forte | or | Harp | and an Elegy on the Death of | Mr. Shenstone | by the | Author of | Auld Robin Gray W. Forster .. St. Martin's Lane
pp.1-9
Elegy on the death of Mr. Shenstone [w. J Cunningham / c. W Leeves ?] (1) Ite, ite caldi sospiri [c. R Jones ?] (2) Tu sei gelosa, è vero [w. Metastasio / c. W Trnka ?] (3) Away let nought to love [c. R Cooke ?] (4) Yes these are the scenes [w. W Shenstone / c. R Langdon ?] (5) Phillis for shame [w. C Sackville ?] (6) Ye Pow'rs who taught [Anon.]
The Celebrated | Overture | Composed by | Sigr. Haydn | and Performed at | Messrs. Bach & Abel's Concerts | Adapted for the | Piano Forte or Harpsichord [i.e. Symphony No. 53 finale version B - London.] [1782?] Longman & Broderip No. 26 Cheapside & No. 13 Haymarket
In D
pp.2-8
All[egr]o con Spirito: Slow; Minuetto / Allegretto
Six | Sonates | Pour le Clavecin ou forte piano | avec accompagnement de Violon | Obligés | Composées | par | N. Scherrer | Op. VII [1790?] Chez L'auteur a Genèvre
Cembalo part [with solo parts cued when there is a figured bass]
pp.2-35
No. 1 in G. Allegro; Rondo No. 2 in f minor. Adagio; Allegro No. 3 in C. Allegro; Rondo, Allemande No. 4 in B flat. Andante; Rondo Minuetto No. 5 in D. Allegro; Rondo No. 6 in E Flat. Adagio; Allegro
See Roger Williams, "A lost sonata reconstructed: Scherrer's Opus 7 from Castle Fraser" IN Aberdeen and the Enlightenment ed. J.J. Carter & J. Pittock (AUP, 1987) pp. 183-188
Six | Sonates | mises en | Trio | pour le | Clavecin | Violon et Violoncel | Dédiées | A Son Altesse Sèrènissime Monseigneur | Le Prince Frederic François | De Mecklembourg Schwerin &c. &c. | Composées par | N. Scherrer le Cadet | Maitre de Clavecin et Organiste | Op. 1 [c1785] A Genève chez L'Auteur
Keyboard only
pp.2-23
No. 1 in E flat:
Allegro Moderato; Rondeau No. 2 in G: Allegro; Andante; Minuetto No. 3 in F: Allegro Assai; Andante; Rondeau No. 4 in B flat: Allegro Moderato; Andante; Menuetto No. 5 in C: Allegro; Andante; Minuetto No. 6 in D: Allegro; Andantino; Rondeau
A | Second Concerto | Adapted for the | Harpd. or Piano Forte | With Accompanyments for two | Violins & Violoncello | Composed for And most Respectfully Dedicated to | The Right Honourable | Lady Charlotte Hay | by | G. Stabilini [c1797] Edinr. Printed for the Author and to be had at his house, back of St. James's Square, also of Messrs. Corri & Co. North Bridge Street, of Stewart & Co. No. 37 South Bridge Street .. :: :: J. Johnson Sculpt Also of Longman & Broadrip London
In A. Keyboard only
pp.1-16 Sig. G. Stabilini at foot of page. (Subscription edition)
Eighteen | favorite Sonatinas | for the | Piano Forte | Composed by | Ignace Pleyel [c1810?] Preston & Son. 97 Strand
pp.2-15
(1) A. Allegro (2) F. Moderato (3) B flat. Allegro (4) G. Allegro (5) C. Andante (6) C. Allegro (7) D. Grazioso (8) F. Allegro (9) A. Grazioso (10) D. Tempo Giusto (11) B flat. Allegro (12) E flat. Adagio (13) G. Larghetto (14) G. Allegro (15) B flat. (16) B flat. Grazioso (17) E flat. Andante (18) E flat. Allegro
A Favorite | Concerto | for the | Piano Forte | or | Harpsichord | With Accompaniments | Composed by | F.A.K. Collizzi [ie Johann Colizzi] [c1795] Preston & Son .. 97 Strand
In D. Keyboard only
pp.1-11
Allegro; Adagio con Espressione; Ballo alla Hussarra, Allegretto
Twelve | Songs | Set to Music by | William Jackson | of Exeter | Opera Quarta [c1765] Printed for the author and sold at the Music Shops. :: :: Wm. Clark Sculpt. St. Ann's Lane
Violino (I & II), Viola, Basso
pp.iii,242 Sig. M. Bristow top r.h. corner
(1) Ye Shepherds so chearful and gay (2) My Banks they are furnished with Bees (3) Why will you my Passion reprove? (4) Ye Shepherds give Ear to my Lay (5) Go gentle Gale (6) When absent from my Souls delight (7) O say thou dear Possessor (8) Let me approach my sleeping Love (9) O Nancy wilt thou go with me - 2 horns, 2 vns, Vla, Basso (10) Ah! what avails - 2 vns, Basso (11) With Delia ever could I stay - 2 vns, Vla, Basso (12) Whilst Blooming Youth - Haste Delia
A Selection of | Scots Songs | Harmonized [and] Improved | with Simple and | Adapted Graces | Most Respectfully Dedicated | to the | Right Honourable | The | Countess of Balcarres | by | Peter Urbani | Professor of Music | Book 1st [c1792-4] Printed for the Author and sold at his house foot of Carrubbers Close. McGowan Glasgow, Longman & Broderip London
Accompaniments are for Volino. Viola, Basso and Harpsichord
Six Sonates | pour le | Clavecin ou le Piano Forte | dediées A | Son Altesse Sèrènissime | Monseigneur le Duc Ernest | Duc de Mecklenbourg &c. &c. | Composées par | Jean Cretien Bach, Maitre de Musique | de S.M. La Reine d'Angleterre | oeuvre V [c1768] :: Titlepage engraved by Cipriani and Bartolozzi
pp.2-34 Some fingerings
No. 1 in B flat: Allegretto; Tempo di Minuetto No. 2 in D: Allegro di molto; Andante di molto; Minuetto No. 3 in G: Allegro; Allegretto No. 4 in E flat: Allegro; Rondeaux Allegretto No. 5 in E: Allegro Assai; Adagio; Prestissimo No. 6 in c minor: Grave; Allegro Moderato; Allegretto
[Handel's Organ Concertos, Op. 4, transcribed for solo keyboard by John Walsh - no title page] [c1740] [London: J. Walsh]
Includes Solo part where present, and Orchestral parts written in where necessary
pp.2-48 Illegible signature (heavily crossed out) inside front page Much used. Many added ornaments in ink and sometimes pencil
No. 1 in g minor: Larghetto; Allegro; Adagio; Andante No. 2 in B flat: A Tempo Ordinario; Allegro; Adagio; Allegro ma non Presto No. 3 in g minor: Adagio; Allegro; Adagio; undesignated (Gavotte) No. 4 in F: Allegro; And[an]te; Adagio; Allegro No. 5 in F: Larghetto; Allegro; Alla Siciliana; Presto No. 6 in B flat: Undesignated; Larghetto; Allegro (Moderato)
Six | Sonatas | for the | Harpsichord | With Accompaniment for a | Violin | Composed by | Christopher Wagenseil | Opera 2da [1761] Printed for A. Hummel at his Music shop facing Nassau Street on King Street, St. Ann's Soho
Keyboards and including the Violin part. Some pencil corrections in No. 3 III.
pp.1-28
No. 1 in A: Allegro; Menuetto; Allegro No. 2 in B flat: Allegro; Menuetto; Spiritoso No. 3 in C: Allegro; Minuetto; Allegro No. 4 in E flat: Allegro; Minuetto; Vivace No. 5 in B flat: Vivace; Andante Moderato; Presto No. 6 in A: Spiritoso; Presto; Minuetto
A Second Sett of | Six | Concertos | for the | Harpsichord | or | Piano Forte | with Accompanyments, | for two Violins & | Violoncello | Humbly Dedicated to Her Majesty | Charlotta | Queen of Great Britain &c. &c. | By | John Christian Bach | Opera VII [c1775] Welcker in Gerrard Street St. Ann's Soho
pp.2-39 Added ornaments in ink in No. 5 II
No. 1 in C: Undesignated; Menuetto No. 2 in F: All[egr]o con Spirito; Tempo di Minuetto No. 3 in D: All[egr]o con Spirito; Rondeau Allegretto No. 4 in B flat: All[egr]o Giusto; Allegro di molto No. 5 in E flat: All[egr]o di molto; Andante; Allegro No. 6 in G: Allegro: Andante; Allegretto
Forty Two | Suits | of Lessons | For the | Harpsichord | Composed by | Sgr. Domenico Scarlatti [and revised by T. Roseingrave]. | Vol. II [23-42] [c1748] John Johnson, Harp and Crown, Cheapside.
pp.2-67
(23) In a minor. Allegro (24) In c minor. Allegro (only two flats in key signature) (25) In F. Allegro (26) In f minor. Fuga (only three flats in key signature) (27) In A. Allegro (only two sharps in key signature) (28) In c minor. Allegro (only two flats in key signature) (29) In c minor. Minuetto (only two flats in key signature) (30) In A. Presto (31) In e minor. Allegro (32) In D. Allegro (33) In A. Presto (only two sharps in key signature) (34) In F. Presto (35) In E. Presto (only three sharps in key signature) (36) In b minor. Allegro (37) In f sharp minor. Allegro (38) In d minor. Presto (39) In D. Allegro (40) In B flat. Presto (41) In d minor. Fuga And[an]te. Moderato (no key signature) (42) In B flat. Minuetto
N.B. I think the following Pieces for their delicacy of Style, and Masterly Composition, worth ye Atten | tion of the Curious, which I have carefully revised & corrected from the Errors of the Press. T. Roseingrave.
[Trois Sonates] Composée[s] et Dediée[s] | A son Exellence Madame | La Comtesse Hortanse, D. Hatzfeld | née Comptesse de Zierotin | par | Monsieur Leopold Kozeluch | Opera VIII [c1780] Publié, et se vend à Vienne Christoph Torricella Marschand d' Estampes et Editeur de Musique &c. :: :: Huberty. Sculp.
pp.2-51 Sig. M. Bristow
(1) In E flat: Allegro molto; Andante; Allegretto (2) In C: Moderato; Andante Espressivo; Rondeau Allegretto (3) In B flat (for piano duet): Adagio-Allegro; Adagio; Rondeau, Allegro
Sei Sonate | per | Cembalo | composte dal | Sigr. Carl Philipp Emmanuel Bach [1763] I. Walsh in Catharine Street in the Strand :: :: Huberty. Sculp.
pp.3-35 (pp.1/2 missing)
(1) In F: Largo (in d minor. Vivace in F (First movement, presumably, missing) (2) In G: Allegretto; Poco Adagio; Allegro assai (3) In a min: Presto; Largo; All[egr]o Moderato ma innocentemente (4) In d min: Allegretto Grazioso: Adagio sostenuto; Allegro (5) In B flat: Poco Allegro; Larghetto; Tempo di Minuetto (6) In c min: Allegro Moderato (i.e. one movement only)
The celebrated | Dances | Performed by the | Messrs Vestris &c. | at the | King's Theatre in the Hay Market, 1781 | Composed by | G. B. Noferi | Book 1 [1781] London: James Blundell No. 10 Hay Market
The celebrated | Opera Dances | as Performed | at the | King's Theatre in the Hay Market, 1783 | for the | Harpsichord, Violin &c | Composed by | Sig. | Borghi and others [Book 1] [1783.] W. Forster corner of Duke's Ct. St Martin's Lane
The Deserter | A new Grand Ballet | by Mr D'Aubervall | Performed with Great Applause | at the King's Theatre Hay Market 1784 | Adapted for the Harpsichord Violin or Ger[man] Flute | Compos'd by | Mr. Monsigni | Book IV [1784] Engrav'd Printed and Sold for F. Chabran by James Freeman, 5 Little Warwick Street, Charing Cross
pp.2-33
Issued as Book 4 of The celebrated dances performed by Messrs. Le Picq, Vestris junr. & Slingsby.
The celebrated | Opera Dances | as Performed | at the | King's Theatre in the Hay Market, 1783 | for the | Harpsichord, Violin &c | Composed by | Sig. | Borghi and others [Books 2-4] W. Forster corner of Duke's Ct. St Martin's Lane
XII Sonate | a Violino e Basso | Composte da | Francesco Geminiani | e Dedicate | all'Illustrissima ed Eccellentissima Signora | Margarita | Contessa D'Orrery | Opera Quarta [1735.] Stampate a Spese di Gerhardo Friderico Witvogel Organista della Chiesa nuova Luterana A Amsterdam
Score for Violin and figured bass
pp.1-48 Plate no. 74 Sig. at top of t.p. cut off
Sonata 1 in D: Adagio; Allegro; Largo; Allegro assai Sonata 2 in e minor: Adagio; Allegro; Largo; Allegro Sonata 3 in C: Adagio; Allegro; Affettuoso; Allegro Sonata 4 in d minor: Largo; Allegro; Grave; Allegro Sonata 5 in C: Andante; Presto; Allegro Sonata 6 in D: Adagio; Allegro; Andante; Allegro Sonata 7 in A: Andante; Allegro; Moderato; Allegro Sonata 8 in d minor: Largo; Allegro; Andante; Allegro Sonata 9 in c minor: Andante; Allegro; Andante; Allegro Sonata 10 in A: Andante; Allegro; Allegro Sonata 11 in b minor: Largo; Allegro; Largo; Allegro; Adagio; Allegro Sonata 12 in A: Adagio - Presto - Adagio - Presto; Presto; Adagio; Presto
VI | Sonate | di | Violoncello e Basso Continuo | da | F. Geminiani | Opera V [1747] :: Sculp. Phillips.
pp.1-24 (p.13/14 missing)
Sonata 1 in A: Andante; Allegro; Andante: Allegro Sonata 2 in d minor: Andante; Presto; Adagio; Allegro Sonata 3 in C: Andante; Allegro; Undesig (pp.13/14 missing) Sonata 4 in B flat: Andante; Allegro Moderato; Grave; Allegro Sonata 5 in F: Adagio; Allegro Moderato; Adagio; Allegro Sonata 6 in a minor: Adagio; Allegro Assai; Grave; Allegro
'Nelle quali egli à procurato di renderle non | solo utile | a quelli che bramano perfettionarsi | sopra il detto Stromento mà ancora per quelli | che accompagnano di Cembalo'. Preface dated 1739
Fraser B13 [ELYZA FRASER / MARY BRISTOW] [M. Bristow 1] MS book with 'M. Bristow' on 1st page. Many blank pages at end and several pages cut out from back of volume. Different hand for items 6 and 8
Six Sonatas | for the | Harpsichord or Piano Forte; | with an | accompagnement for a Violin. | Humbly Dedicated | to | The Right Honble. Lady Mellbourne | and Composed | by | John Cristian Bach, | Music Master to Her Majesty | Opera X [1773] Printed And Sold By Welcker in Gerrard Street, Soho [in ink at foot of page]
Piano score
pp.2-37 Sig. M. Bristow on t.p.
No. 1 in B flat: Allegro; Allegro Assai No. 2 in C: Allegro; Tempo di Menuetto No. 3 in G: Allegro; Rondeaux No. 4 in A: Allegretto; Rondeau All[egr]o mod[erat]o No. 5 in F: Allegro; Rondeau Allegro No. 6 in D: Allegro con Spirito; Tempo di Minuetto
Eight | Lessons | For the | Harpsichord | or | Piano Forte | Dedicated by Permission | to His Royal Highness the | Duke of Cumberland | Composed by | Samuel Arnold | Opera VII [c1770] Welcker Gerrard St., St. Anne's Soho
pp.2-47
No. 1 in C: Allegro; Tempo di Minuetto No. 2 in G: Allegro; Minuetto No. 3 in C: Allegro; Vivace No. 4 in F: Allegro; Andantino; Tempo di Minuetto No. 5 in D: Allegro; Un Poco Andante; Minuetto Affettuoso No. 6 in B flat: Allegro; Un Poco Andante; Rondo Allegro Moderato No. 7 in F: Allegro Assai; Un Poco Andante; Minuetto Vivace e Staccato No. 8 in E: Allegro; Andante; Gigue Allegro
Libro de XII | Sonatas | Modernas para Clavicordio | Compuestas por | El Señor D. Domingo Scarlati | Caballero del Orden de | Santiago y | Maestro de Los Reyes | Catholicos | D. Fernando el VI. Y | Doña Maria Barbara | London [1752.] Printed for the Editor & sold by J. Johnson facing Bow Church Cheapside :: :: B. Webb Sen. Morrison Sculp. New Broad Street B. Webb Sen. Morrison Sculp. New Broad Street
pp.2-41 Inside front cover: 'Eliza Mackenzie | M. MacKenzie | No. 23'
No. 1 in F: Andante No. 2 in F: Allegro No. 3 in G: Allegro No. 4 in C: Allegro No. 5 in F: Allegro No. 6 in G: Allegro No. 7 in D: Presto No. 8 in A: Allegro No. 9 in C: All[e]m[and]o No. 10 in G: Allegro No. 11 in D: Allegro non molto No. 12 in c minor (but key sig: with only 2 ♭). Allegro
Six | Sonates | or | Lessons | for the | Harpsicord | which may be Accompanied with a | Violin or German Flute | Composed by | J. Mondonville. [Op. 3] [c1753] Printed for I. Walsh in Catharine Street in the Strand
Keyboard (includes Violin)
pp.1-51 Inside front cover: 'Eliza Mackenzie | M. MacKenzie | No. 23' Very well used. Pencil marks in Nos. 2.II and 4.III
No. 1 in g minor. Overture, Grave; Allegro; Aria; Giga, Allegro No. 2 in F. Allegro; Aria, Gracioso; Giga No. 3 in B flat. Allegro; Aria; Allegro No. 4 in C. Allegro; Aria, Gracioso; Giga, Allegro No. 5 in G. Allegro; Aria; Allegro No. 6 in A (titled "Concerto"). Allegro; Larghetto; Giga, Allegro
The | First Fifty Psalms | Set to Music by | Benedetto Marcello | Patrizio Veneto | and adapted to the | English Version | By | John Garth | Vol. I [-VIII] [1757] John Johnson at the Harp and Crown, Cheapside. MDCCLVII :: :: Engrav'd William Clark. Music Engrav'd by Thos. Baker.
8 vol.
Vol. 1 pp.1-130 [Psalms 1-8] Ps 1,2: Alto e Basso Ps 3,4: Canto e Alto Ps 5,6: Alto Basso Ps 7: Canto e Basso Ps 8: Alto Solo Vol. 2 pp.1-131 [Psalms 9-15] Ps 9,10: Alto Tenore Basso Ps 11: Canto, Alto, Tenore e Basso Ps 12: Due Alti Ps 13: Alto e Tenore Ps 14: Due Bassi Ps 15: Canto solo Vol. 3 pp.1-144 [Psalms 16-19] Ps 16: Alto solo Ps 17: Alto e Tenore Ps 18: Alto, Tenore e Basso Ps 19: Alto, Due, Tenore, Basso Vol. 4 pp.1-154 [Psalms 20-26] Ps 20,24,26: Alto, Tenore e Basso Ps 21: Due Alti, Tenore e Basso Ps 22: Alto Solo con Violette Ps 23: Alto e Tenor Ps 25: Tenore e Basso Vol. 5 pp.2-123 [Psalms 27-31] Ps 27: Canto, Tenore e Basso Ps 28: Canto e Alto Ps 29,31: Alto, Tenore e Basso Ps 30: Tenore e Basso Vol. 6 pp.2-127 [Psalms 32-36] Ps 32,33,35: Alto Tenore e Basso Ps 34: Alto e Basso Ps 36: Tenore e Basso Vol. 7 pp.1-148 [Psalms 37-44] Ps 37,44: Canto Alto Tenore e Basso Ps 38: Canto e Alto Ps 39: Canto solo Ps 40: Alto e Basso Ps 41: Alto, Tenore e Basso Ps 42: A due Canti Ps 43: Basso solo Vol. 8 pp.1-150 [Psalms 45-51] Ps 45,49,51: Alto, Tenore e Basso Ps 46: Alto e Basso Ps 47: Canto solo Ps 48: Canto, Tenore e Basso Ps 50: Canto, Alto e Basso
'To the Honourable and Right Reverend Richard Lord Bishop of Durham The Psalms of Marcello Are Humbly Dedicated By His Lordship's most obliged and Obedient Servant John Garth'
Cathedral Music | being | A Collection in Score | of the | Most Valuable and Useful Compositions | For That Service | by the | Several English Masters | of the last Two Hundred Years | The Whole Selected and Carefully Revis'd | by the late Dr William Boyce | Organist and Composer to the Royal Chapels, and | Master of His Majesty's Band of Musicians. | Volume the First [- Third] [1788] London: Printed for John Ashley MDCCLXXXVIII. Second Edition
Cathedral Music | being | A collection in Score | of the | Most Valuable & useful Compositions | For That Service | by the Several English Masters, | Of the last Two Hundred Years, | The whole Selected & carefully Revis'd | by Dr. Samuel Arnold | Organist & Composer | To his Majesty's Royal Chapels {Vols. 1-4]
[1790] Printed for the Editor, London MDCCLXXXX
4 vol.
For a list of contents see the Wikisource for Arnold. Vol. 4 contains the organ part for vols. 1-3
Subscription edition: includes a list of subscribers. Preface (480 Strand) dated Nov. 1st 1790
Twelve Songs | set to music | by | William Jackson | of Exeter | Opera Settima [c1785] Longman & Broderip No. 26 Cheapside.
pp.2-39
(1) Let others boast their shining store - 2 vns, basso (2) Fair Delia my Breast so alarms - 2 vns, basso (3) Far from the Arms of her I love - 2 vns, basso (4) Recit. and Aria: All in the Downs .. O Where, O Where, shall I my true love find? - 2 vns, basso (5) Recit. and Aria: Parent of blooming Flow'rs .. Thou dost return - 2 horns, 2 flts, 2 vns, vla, basso (6) Night to Lovers Joys a Friend - 2 horns, 2 flts, 2 vns, vla, basso (7) Love when 'tis true - 2 horns, 2 flts, 2 vns, vla, basso (8) How long must hapless Colin mourn? - 2 vns, basso (9) Now Philomel renews her tender Strain - 2 vns, vla, basso (10) Thy absence Delia from my Bow'r - 2 vns., basso (11) What Shepherd or Nymph of the Grove - Cemb. solo (12) To fairest Delia's grassy Tomb
A | Collection of Lessons | for the | Harpsichord | Composed by | Dr. Greene [c1750] John Johnson at the Harp & Crown Cheapside
48 movements - sonatas and variations
obl. fol. pp.2-73
1. In G. Allegro (C) | 2. In G. Allegro (3/8) | 3. In G. Vivace (3/8) | 4. In G. Allegro (12/8) | 5. In D. Allegro (C) | 6. In D. Andante (C) 7. In D. Allegro (3/8) | 8. In g minor. Vivace (C) | 9. In g minor. Allegro (3/8) | 10. In g minor. Tempo di Gavotta (2/2) nbsp; | 11. In c minor. Presto (C) | 12. In c minor. Vivace (3/8) 13. In c minor. Allegro (2/2) | 14. In c minor. Allegro (12/8) | 15. In F. Allegro (C) | 16. In F. Andante vivace (C) nbsp; | 17. In F. Allegro (3/8) | 18. In B flat. Allegro (C) 19. In B flat. Minueto, Allegro (3/8) | 20. In B flat. Vivace (3/4) | 21. In F. Molto Allegro (C) | 22. In F. Allegro (3/4) | 23. In f minor. Andante (3/8) | 24. In F. Allegro (3/4) 25. In d minor. Aria con Variationi (3/8) | 26. In F. Allegro (C) | 27. In F. Andante (3/4) | 28. In F. Allegro (3/8) | 29. In a minor. Allegro (C) | 30. In a minor. Vivace (3/8) 31. In a minor. Molto Allegro (2/4) | 32. In A. Aria con Variationi (2/4) | 33. In A. Andante (3/4) | 34. In A. Allegro (3/8) | 35. In A. Allegro (12/8) | 36. In E. Allegro (C) 37. In E. Vivace (3/4) | 38. In E. Aria con Variationi (3/8) | 39. In E flat. Allegro (2/2) | 40. In E flat. Vivace (3/4) | 41. In E flat. Allegro (3/8) | 42. In E flat. Allegro (12/8) 43. In C. Allegro (2/4) | 44. In C. Vivace (3/4) | 45. In C. Allegro (3/8) | 46. In F. Allegro (C) | 47. In F. Allegro (3/8) | 48. In F. Allegro (12/8)
Three Sonatas | for the | Pianoforte or Harpsichord | with Accompanyments | for a | Violin | and | Violoncello Obligato | Composed by J. F. Sterkel | Book 1 | Opera XVII [1784] Longman & Broderip, 26 Cheapside & 13 Hay Market
Basso only
pp.2-8 Sig. Miss Forbes at head of page
(1) In G. Allegro con Spirito; Romance, Adagio; Rondo poco Allegretto (2) In B flat. Andante con moto; Tempo di Minu[etto] un poco Lento; Presto (3) In E. Allegro; Moderato
Six | Concertos | for the | Harpsichord, or Piano Forte | with an Accompanyment for | Two Violins, and a Bass | Composed and dedicated to | Her Grace the Duchess of Ancaster | by | J.S. Schroeter | Opera III [1774] W. Napier, Strand
(1) In F. Moderato; Rondo (2) In B flat. Allegro; Rondo, Grazioso (3) In C. Allegro; Grazioso; Rondeau (4) In D. All[egr]o; Grazioso; Rondeau (5) In G. All[egr]o; Rondo, Grazioso (6) In E flat. Allegro Spiritoso; Larghetto; Rondo
Six | Sonatas | for the | Piano Forte | or | Harpsichord | with Accompanyments for a | Violin and Bass | Composed by | J.S. Schroeter | Opera II [1771] W. Napier, the corner of Lancaster Court Strand
Violoncello only
pp.1-6
(1) In D. All[egr]o Spiritoso; Rondo (2) In G. All[egr]o Moderato; Rondo (3) In A. Andante; Allegro (4) In B flat. Allegro; Tempo di Menuetto (5) In E flat. Largo; Allegro (6) In C. All[egr]o Spiritoso; Rondo, Grazioso
Six | Concertos | for the | Harpsichord | or | Pianoforte | with Accompanyments for | Two Violins, a Tenor arid Bass | Composed & Dedicated | to | J. C. Hankey Esq., | by | J. S. Schroeter | Op. V [1774] William Napier, 474 Strand.
(1) In C. Allegro; Largo; Allegretto (2) In F. Moderato; Tempo di Minuetto / Rondo (3) In D. Allegro con spirito; Grazioso; Rondo / Tempo di Minuetto (4) In G. All[egr]o; Rondo/Grazioso (5) In B flat. All[egr]o Moderato; Rondo / Grazioso (6) In E flat. All[egr]o; Adagio; Allegro
Six | Trios | for a Harpsichord, | Violin Obligato and Bass | Composed | and humbly Dedicated to the | Honble. Mrs. Duff, of Echt | by Robert Barber | Opera 2da [1783] Wm. Napier Corner of Lancaster Court, Strand
Basso only. For Violino and Keyboard see B21/11 and C07/5
pp.1-8
No. 1 in A. Allegretto; Minuetto No. 2 in C. Larghetto; Allegro Moderato; Minuetto No. 3 in G. Allegretto; Rondo Moderato No. 4 in B flat. Allegro; Rondo No. 5 in E. Allegro; Rondo All[egr]o moderato No. 6 in E flat. Andante con Expressione (with four vars.); Minuetto
Three | Sonatas | for the | Harpsichord | or | Forte Piano, | with Accompanyments for a | Violin and Bass | ad Libitum | Composed by | Ernesto Eichner. | Opera 3d [1771] R. Bremner opposite Somerset House in the Strand
Violoncello only
pp.2-5
(1) In A. Andantino molto; Adagio (2) In B flat. All[egr]o moderato; Tempo di Menuetto (3) In E flat. Andantino poco Adagio; Allegro
Six | Trios | for the Harpsicord | or | Piano Forte | with an accompanyment for a | Violin and Violoncello | ad libitum | Composed & humbly dedicated to the | Baroness Dieden | by | Ernesto Eichner. (Op. l) [c1775] Welcker Gerrard Street, Soho
No. 1 in B flat. Allegro; Tempo di Menuetto No. 2 in F. Andante; Allegretto Scherzando No. 3 in c minor. All[egr]o ma non troppo; Menuetto No. 4 in D. All[egr]o ma non troppo; Allegro No. 5 in G. Allegro; Menuetto No. 6 in E flat. All[egr]o non molto; Tempo di Menuetto
Six | Trios | for a Harpsichord, | Violin Obligato and Bass | Composed | and humbly Dedicated to the | Honble. Mrs. Duff, of Echt | by Robert Barber | Opera 2da [1783] Wm. Napier Corner of Lancaster Court, Strand
Violino only. For Basso and Keyboard see B21/8 and C07/5
pp.2-10
No. 1 in A. Allegretto; Minuetto No. 2 in C. Larghetto; Allegro Moderato; Minuetto No. 3 in G. Allegretto; Rondo Moderato No. 4 in B flat. Allegro; Rondo No. 5 in E. Allegro; Rondo All[egr]o moderato No. 6 in E flat. Andante con Expressione (with four vars.); Minuetto
Thirteen | Chamber Duetto's | and | Twelve Cantatas; | Composed by | G.F. Handel [Part 1 - Duettos] [London, Printed for the Editor and sold by Longman and Co.?]
pp.3-92 Plate no. 178-9
Part 1, Duettos (1) Sono liete; Crudeltà ne lontananza; non hauran mai (2) Troppo cruda; Mà la speme; In fiammate; A chi spera (3) Che vai pensando; Se pensi farmi (4) Amor gioie mi porge (5) Va va speme; Tu Baldonzosa; Mà se Mendace; Fede or vuoi; Va Speme (6) A mirarvi; Mà l'amor, E vibrando (7) Quando in calma; E si passa (8) Tacete ohimè; Entro fiorita cuna; Non sia voce; Sol quando (9) Conservate; No di voi (10) Tanti strali; Mà se l'alma; Dunque annoda (11) Langue geme; Cangia i gemiti (12) Caro Autor, Nò nò; Da gl'amori (13) Se tu non lascia; Quando no hò
Thirteen | Chamber Duetto's | and | Twelve Cantatas; | Composed by | G.F. Handel [Part 2 - Cantatas] [London, Printed for the Editor and sold by Longman and Co.?]
pp.3-57 Plate no. 176-8
Psrt 2, Cantatas (1) Recit: Dimmi O mio cor, Aria: Mi piagò d'amor, Recit: Dunque se; Cari lacci amate (2) Recit: Stanco di più; Era in sogno; Recit: Quando mi parve; Se piu non t'amo (3) Recit: Sento là che; Largo: Mormora rando; Recit: Son io nice; Se un sol momento (4) Fra pensieri; E se sia de volando; Pronti 1'alle (5) Recit: Filli adorata; Se non giunge; Ma se volesse mai. Lunghi da te mia speme (6) Recit: Quando sperasti, O core; Non brilla; Gode festeggia; Voglio darti a mille (7) Sei pur bella; Recit: Candida rosa; Vivi alla pace (8) Nascer mi sento; Recit: Ninfe e Pastori; E una Tiranna; Vince la Ninfa mia; Ha nel volo; Questo Oggetto; Dite telé ch'il mio (9) Recit: Care Selve; Ridite a cara; Se cangiar, Non ha forza (10) Recit: Solitudine care; Sei bugiarda; Gloria di bella; Bella gloria (11) Recit: E partirai; Vedrò toco; Vedrò d'ombre; Pria che spunti (12) Lucretia. Recit: Oh Numi eterni; Gia superbo; Ma voi forse; Il scuol che preme; Ah che amor, Alla salma in fedel; A voi a voi Padre; Gia nel seno
Arcangelo Corelli | Opera Prima [-Quarta] | XII | Sonatas | of three parts for two | Violins and a Bass | with | a Thorough Bass for ye Organ | Harpsicord or Arch Lute | Engrav'd from ye Score and | Carefully Corrected by ye | best Italian Masters [c1740?] I. Walsh Servant to his Ma[jest]ie. at ye Harp and Hoboy in Katherine Street, near Somerset House in ye Strand
Concerti | Grossi | Con Duoi Violini, e Violoncello di Concertino obligati, e duoi | altri Violini, Viola e Basso di Concerto Grosso ad arbitrario; de si potranno radoppiare; | Dedicati all' | Altezza Serenissima Ellettorale | di | Giovanni Guglielmo | Principe Palatino del Reno etc. etc. | Da | Arcangelo Corelli da Fusignano | Opera Sesta. Parte Prima (-Seconda per Camera) [1712-15] A Amsterdam Chez Estienne Roger Marchand Libraire
(A) Violino Primo del Concertino, (B) Violino Primo del Concerto Grosso, (C) Violino Secondo del Concertino, (D) Violino Secondo del Concerto Grosso, (E) Alto Viola del Concertino, (F) Violoncello del Concertino, (G) Basso del Concerto Grosso
7 vols. (A-G), each in 2 pt. (pp 1-23,25-34). Part 2 of Vol. F is printed for I. Walsh Plate no. 197
Each vol. contains: Parte Prima: Concerti Nos. I-VIII -- Parte Seconda per Camera ('Preludii, Allemande, Correnti, Gighe, Sarabande, Gavotte e Minuetti'): Concerti Nos.IX-XII Also: Vol. A has a long preface by Corelli in Italian bearing the date Roma 3 Dicembre 1712.
Concerti Grossi | Con | Due Violini | Viola e Violoncello | di Concertino obligati, e Due altri Violini | e Basso di Concerto Grosso | Da | Francesco Geminiani | Composti delli Sei Soli della prima parte | del'Opera Quinta D'Arcangelo Corelli [1726] I. Walsh .. Harp and Hoboy in Catherine Street in the Strand, and Joseph Hare at the Viol and Flute in Cornhill near the Royal Exchange.
(A) Violino Primo del Concertino, (B) Violino Primo del Concerto Grosso, (C) Violino Secondo del Concertino, (D) Violino Secondo del Concerto Grosso, (E) Alto Viola del Concertino, (F) Violoncello del Concertino [ie no Basso Ripieno – not necessary because cued in Violoncello].
6 vol. (A-F), each with 6 concertos (Concerti I-VI): pp.1-22 (each part) Parts very well used -
Violoncello carries many marks
Concerti Grossi | Con due Violini, Viola e Violoncello | di Concertino Obligati, e due altri Violini | e Basso di Concerto Grosso | Quali Contengono Preludii, Allemande, Correnti | Gigue, Sarabande, Gavotte e Follia | Composti della Seconda Parte del | Opera Quinta | d'Arcangelo Corelli | per | Franceso Geminiani
[1726] I. Walsh .. Harp and Hoboy in Catherine Street in the Strand, and Joseph Hare at the Viol and Flute in Cornhill near the Royal Exchange.
(A) Violino Primo del Concertino, (B) Violino Primo del Concerto Grosso, (C) Violino Secondo del Concertino, (D) Violino Secondo del Concerto Grosso, (E) Alto Viola del Concertino, (F) Violoncello del Concertino [ie no Basso Ripieno]
6 vol. (A-F), each with 3 concertos (Concerti VII-IX, & Follia): pp.2-15 (each part)
Concerti Grossi | con | Due Violini, Violoncello e Viola di Concertino | obligati, e due altri Violini, e Basso di | Concerto grosso ad arbitrario; | il IV, V, & VI, si | potranno suonare con due Flauti | traversieri, o due Violini con Violoncello. | Dedicati | a sua Eccellenza | Henrietta | Duchessa di Marlborough .. | da | Francesco Geminiani | Opera Seconda [c1730?] Amsterdam a Spesa di Michele Carlo le Cene
(A) Violino Primo del Concerto Grosso, (B) Violino Secondo del Concertino, (C) Violino Secondo del Concerto Grosso, (D) Alto Viola del Concertino, (E) Violoncello del Concertino, (F) Basso del Concerto Grosso [ie no Violino Primo del Concertino]
6 vols. (A-F), each with 6 concertos: pp.1-11 (each part)
No. 1 in c minor. Andante; Allegro; Adagio; Allegro No. 2 in c minor. Adagio; Allegro; Adagio; Allegro No. 3 in d minor. Presto; Adagio; Allegro No. 4 in D major. Andante; Allegro; Adagio; Allegro No. 5 in d minor. Grave; Allegro; Adagio; Allegro No. 6 in A major. Andante; Allegro; Adagio; Allegro
Concerti Grossi | Con due Violini, Viola e | Violoncello di Concertino, Obligati, | e due Altri Violini, e | Basso di Concerto Grosso | Da | Francesco Geminiani | Opera Terza [c1730?] Amsterdam a Spesa di Michele Carlo le Cene
(A) Violino Primo del Concerto Grosso, (B) Violino Secondo del Concertino, (C) Violino Secondo del Concerto Grosso, (D) Alto Viola del Concertino, (E) Violoncello del Concertino, (F) Basso del Concerto Grosso [ie no Violino Primo del Concertino]
6 vols. (A-F), each with 6 concertos: pp.1-11 (each part) Plate no. 571 Sig. C. Bentinck on t.p.
No. 1 in D major. Adagio; Allegro; Adagio; Allegro No. 2 in g minor. Largo e Staccato; Allegro; Adagio; Allegro No. 3 in e minor. Adagio e Staccato; Allegro; Adagio; Allegro No. 4 in d minor. Largo e Staccato; Allegro; Largo; Vivace No. 5 in B flat. Adagio; Allegro; Adagio; Allegro No. 6 in e minor. Adagio; Allegro; Adagio; Allegro; Adagio; Allegro
[Selected orchestral parts from Domenico Corri: A select Collection | of | Choice Music | for the | Harpischord or Piano Forte .. Vol. I] [Edinburgh : Corri & Sutherland]
Incomplete
(1) Staes: Idees de Campagna in F. Parts for Vn1, Vc only (2) Kuzeluch [sic]: Lesson (in D). Vn1, Bc only (3) Sterkel: Sonata I (in C). Vn1 only (4) Sterkel: Sonata II (in G). Vnl only (5) Kuzeluch [sic]: Concerto (in B flat). Vn1, Vn2, Va, Bc only (6) J.G.C. Schetkey: Concerto (in G). Vn1, Vn2, Flts 1&2, Bc only (7) Schobert: March (in F). Vn1 only (8) Schobert: July (in G). Vn1 only
'Consisting of Concertos, Sonatas, Duetts, National Airs with variations &c. &c. &c. And with their proper Accompanyments' (t.p.). Contains work by Butler, Handel, Jomelli, Maldere, Jarnowick, Haydn, Arne, Hoffmeister, Nardini, Correlli and Corri as well as those composers represented here. (167 pp.)
Twelve | Sonatas | For | Two Violins; | With a Bass for the | Violoncello or Harpiscord | by | William Boyce, | Composer to His Majesty [1747] Printed for the Author and sold by I. Walsh Musick Printer and Instrument Maker to his Majesty in Catharine Street in the Strand. MDCCXLVII
(A) Violino Primo, (B) Violino Secondo, (C) Basso
3 vols. (A-C ), each with 12 sonatas: pp.1-34 (each vol.) Added in ink: W.B. No.009
No. 1 in a: Largo; Fuga/Allegro; Allegro ma non Troppo No. 2 in F: Andante Vivace; Adagio; Allegro; Allegro ma non Troppo No. 3 in A: Largo; Fuga / Allegro assai; Adagio; Tempo di Minuetto No. 4 in g: Gratioso; March; Tempo di Gavotta No. 5 in D: Allegro; Largo; Fuga / Allegro assai No. 6 in B flat: Adagio; Vivace; Adagio; Affettuoso No. 7 in d: Andante; Fuga/Allegro; Adagio; Allegro No. 8 in E flat: Largo; Allegro; Siciliana; Allegro/Tempo di Minuetto No. 9 in C: Adagio ad Libitum; Fuga | Allegro; Canone/Grave; Spiritoso No. 10 in e: Adagio; Allegro; Largo; Tempo di Minuetto/Allegro No. 11 in c: Adagio; Fuga / Allegro; Affettuoso; Allegro No. 12 in G: Moderato; Tempo di Gavotta
Six | Sonatas | For two | Violins and a Thorough Bass | Compos'd by | Sigr. Gio. Bartista St. Martini | Principal Composer in Milan. | Opera Prima [c1744-5] John Simpson at the Bass Viol and Flute in Sweetings Alley opposite the East Door of the Royal Exchange
(A) Violino Primo, (B) Violino Secondo, (C) Basso
3 vols. (A-C ), each with 6 sonatas: pp.1-12 (each vol.) Much used
No. 1 in A. Andante; Allegro; Menuet No. 2 in E flat. Largo; Allegro; Allegro No. 3 in E flat. Allegro; Largo Staccato; Allegro No. 4 in A. Allegro; Andante; Allegro No. 5 in F. Allegro; Largo; Presto No. 6 in D. Allegro; Andante; Presto
Six | Sonatas | for Two | Violins | with a Thorough Bass for the | Harpsicord or Violoncello | Composed By | Sigr. Gio. Batista Lampugnani | and | St. Martini of Milan. | Opera Seconda [c1748] I. Walsh, in Catherine Street in ye Strand
(A) Violino Primo, (B) Violino Secondo, (C) Basso
3 vols. (A-C ), each with 6 sonatas: pp.1-13 (each vol.) Used
No. 1 in B flat. Allegro; Andante; Allegro No. 2 in G. Allegro; Largo; Allegro No. 3 in F. Allegro; Andante; Allegro assai No. 4 in C. Allegro; Andante; Presto No. 5 in B flat. Allegro; Andante; Allegro No. 6 in D. Allegro assai; Andante Assai e piano; Allegr
Sonatas 1, 3 and 5 are by Sammartini; 2, 4 and 6 by Lampugnani
Six | Sonatas | for Two | Violins | with a Thorough Bass for the | Harpsicord or Violoncello | Compos'd by | Sigr. Gio. Batista Lampugnani. | Opera Prima [c1745] I. Walsh in Catherine Street in ye Strand.
(A) Violino Primo, (B) Violino Secondo, (C) Basso
3 vols. (A-C ), each with 6 sonatas: pp.2-15 (each vol.)
No. 1. In A. Andante; Allegro; Allegro No. 2. In B flat. Allegro; Largo; Allegro No. 3. In A. Andante; Largo; Allegro No. 4. In D. Allegro; Adagio; Presto No. 5. In E flat Allegro; Largo; Allegro
No. 6. In G. Allegro; Adagio; Allegro
Six | Quatuor | A | deux Violons, Taille | et Basse Obligés | Composés par | Giuseppe Haydn | à Vienne | Opera I [c1795? or 1806?] Printed & sold by Preston & Son .. 97 Strand & Exeter Change :: :: Sculp. Ashby
4 vols. (A-D), each with 6 quartets: pp.2-14 (each vol.) Added fingering in Basso part of Nos. 1 & 6
No. 1 in E flat. Presto; Menuetto; Adagio; Menuetto; Finale Presto No. 2 in C. Presto assai; Menuetto; Adagio; Menuetto; Finale Presto No. 3 in B flat. Presto; Menuetto; Adagio; Menuetto; Presto No. 4 in E flat. Allegro molto; Menuetto; Adagio; Menuetto; Presto No. 5 in D. Adagio Poco And[an]te; Menuetto; Presto; Menuetto; Presto No. 6 in G. Presto; Menuetto; Adagio; Menuetto; Finale Presto
Six | Quatuor | A | deux Violons, Taille, | et Basse | obligés | Composés par | Giuseppe Haydn | à Vienne | Opera II [c1798? or 1807?] Printed & sold by Preston & Son .. 97 Strand & Exeter Change
4 vols. (A-D), each with 6 quartets: pp.2-13 (each vol.) Added fingerings in Basso parts of Nos. 1, 2 & 6
No. 1 in A. Allegro; Menuetto; Adagio Poco; Menuetto; Allegro No. 2 in E. Allegro; Menuetto; Adagio; Menuetto; Finale e Presto No. 3 in E flat. All[egr]o molto; Menuetto; Adagio; Menuetto; Finale Allegro No. 4 in F. Presto; Menuetto; Adagio; Menuetto; Allegro No. 5 in D. Presto; Menuetto; Largo Cantabile Allabreve; Menuetto; Finale Presto No. 6 in B flat. Adagio; Menuetto; Presto; Menuetto; Presto
Six Quartetts | for Two | Violins a Tenor | and | Violoncello | Composed by | Ignace Pleyel | Op. 6 Printed [and] sold by Preston .. 97 Strand
(A) Violino Primo, (B) Violino Secondo, (C) Viola, (D) Basso. Added fingerings in Basso part in all six quartets
4 vols. (A-D), each with 6 quartets: pp.2-21 (each vol.) Added fingerings in Basso parts of Nos. 1, 2 & 6
No. 1 in C. Moderato; Thema con Variazione / Andante No. 2 in G. Allegro assai; Adagio Cantabile; Rondeau / Allegro No. 3 in F. Allegro; Thema / Moderato (with variations) No. 4 in A. Andante Arioso; Allegro assai; Menuetto No. 5 in B flat. Allegro assai; Adagio Expressivo; Rondeau / Moderato No. 6 in D. Adagio Espressivo; Menuetto / Allegretto; Rondeau / Allegro
Six | Sinfonies | Grand Orchèstre | Deux | Violons Alto et Basso | deux Hautboies deux Cors de Chasses Ad Libitum | Dediés A Monsieur | Alexander Leith Chevr. Bart. | Composées par | Charles Stamitz Fils ainé | Compositeur de Musique. | Op. 13 [c1800] T. Preston .. 97 Strand.
4 vols. (A-D), each with 6 symphonies: pp.2-24 (each vol.) Added fingerings throughout Basso part
No. 1 in E flat. All[egr]o con Spirito; Andante non Moderato; Presto No. 2 in B flat. All[egr]o non Presto; Andante Poco Moderato; Presto No. 3 in D. All[egr]o Maestoso; Andante non Moderato; Presto No. 4 in G. Presto; Andantino; Prestissimo No. 5 in C. Grave-All[egr]o Assai; Andante Grazioso; Allegro No. 6 in F. All[egr]o con Spirito; Andante Moderato; Presto
Six | Quartettos | For two | Violins a Tenor | and | Violoncello Obligato | most humbly Dedicated | To His Excellency | George Pitt Esqr. | His Majesty's Ambassador Extraordinary | and Minister Plenipotentiary to the Court of | Spain | Composed by | Antonio Kammell | Opera IV [1770] Welcker in Gerrard Street St Ann's Soho.
4 vols. (A-D), each with 6 quartets: pp.2-13 (each vol.) On back endpaper a blot of C. M. Fraser Bankers Edinburgh? Added fingering in Basso part
No. 1 in C. All[egr]o con brio; Adagio; Minuetto Grazioso No. 2 in E flat. All[egr]o ma non tanto; Andante; Allegro non molto No. 3 in D. All[egr]o con Spirito; Andante; Allegro No. 4 in A. All[egr]o Moderato; Adagio; Allegro No. 5 in F. All[egr]o Mod[erat]o; Adagio; Minuetto No. 6 in B flat. All[egr]o con Spirito; Largo; Minuetto
Ten | Sonatas | for the | Harpischord, Organ | or | Piano Forte | Compos'd by | John Burton [1766] Welcker in Gerrard Street, Soho :: :: T. Straight, engr.
pp.2-55 Sig. Mary Hay, 1766
No. 1 in D. Allegro; Allegro / Andante; Presto No. 2 in A. Allegro; Minuetto; Rondo Presto No. 3 in F. Moderato; Gavotta / Andante / Allegro; Minuetto / Allegro No. 4 in G. Allegro; Aria / Andante / Vivace; Presto No. 5 in D. Con spirito; Con Espressione / Minuetto No. 6 in B flat. Moderato; Allegro No. 7 in C. Presto; Moderato; Allegro No. 8 in G. Andante Allegro; Giga in Rondo; Minuetto con Espressione No. 9 in A. Allegro; Piu tosto Allegro / Magiore [Minore] No. 10 in F. And[an]te Vivace; Con molto Spirito; Pastorale alia Napolitana / Allegro
Six | Sonatas | for the | Harpischord or Piano Forte | Compos'd by | John Christian Bach | Music master to her Majesty and the Royal | Family Opera XVII [1780] John Welcker .. No. 10 Hay Market
pp.2-41 Sig. The Hon. Mrs. Forbes (t.p. top), Mary E. Knight, Chatham Barracks (t.p. foot)
No. 1 in G. Allegro; Minuetto Con Variatione No. 2 in c minor. [Undesig. Moderato?]; Andante; Prestissimo No. 3 in E flat. Allegro assai; Allegro No. 4 in G. Allegro; Presto assai No. 5 in A. Allegro; Presto No. 6 in B flat. Allegro; Andante; Prestissimo
Rosina | A | Comic Opera | as Performed at | The | Theatre Royal, Covent Garden | Composed and Selected | by | William Shield | (adapted as a Lesson for the Harpsichord or Piano Forte) [1783] William Napier, 474 Strand
The Songs &c. | in The | Deserter | A Musical Drama | as Perform'd with universal applause, at the | Theatre Royal in Drury Lane | Composed by Messrs. | Monsigny, Philidor, & C. Dibdin [1773] John Johnston near Exeter Change, Strand, & Longman, Lukey & Co. 26 Cheapside.
The | Musical Circle | being a Curious Contrivance to | Modulate thro' all the Keys in Music | reduced to Practice by an | Eminent Master [1770?] Welcker in Gerrard Street, St. Ann's Soho
Fourteen | Preludes | for the | Harpischord or Piano Forte | In all the different keys | Composed by | Thomas Giordani [c1780] J. Blundell 10 Hay Market
Tre | Ariette | e | Quattro Canoni | di | Bonifazio Asioli | da | Correggio | Op. 5 [1795] Rt. Birchall .. 133 New Bond Street
pp.1-17
[Arietta 1] In G. Andante con moto ('Quand'erran le Agnelle') [Arietta 2] In B flat. Andante ('Nel bel giardin d'amore') [Arietta 3] In A. Andante Sostenuto ('Non sperar non lusingarti') Canone I. 'Con dolce forza' Canone II. 'Se dal gentil sembiamte' Canone III. 'Lesbia vaga' Canone IV. 'Ah perchè ognor nel sen'
Ti veggo T'abbraccio. | The Favorite Duett | Sung at the King's Theatre by | Mrs. Billington & Sigra Grassini, | in the | Opera | of Il Ratto di Proserpina | Composed by P. Winter | And Arranged by | M. C. Mortellari [1804] M. Kelly at his musical Saloon Pall Mall :: :: Engrav'd by J. Balls
Vaghi colli ameni prati | The much Admired Duett, | As Sung at the | King's theatre | by | Sigra. Grassini & Mrs. Billington, | In the Grand Serious Opera of | Il Ratto di Proserpina | Composd by P. Winter | And Arranged by M. C. Mortellari [1804] M. Kelly at his Musical Saloon 9 Pall Mall :: :: Engrav'd by I. Alexander
Modesto é quel Ciglio | The Favorite Duet, | as Sung by | Signora Angelelli & Sigr. Viganoni, | in the Opera of | La Cifra | Composed by | Sigr. Salieri [c1798] Printed by Rt. Birchall at his musical circulating library, 133 New Bond Street
Score for Violini, Viole, Eurilla, Millord, Piano / Basso
pp.1-8
Librettist Lorenzo Da Ponte [and Giuseppe Petrosellini, 1727-1799?]
The Favorite | Duett ['Occhietto furbetto' by V. Martín y Soler] | Sung by | Sigra. Storace & Sigr. Borselli | in the Opera | La | Villanella Rapita [by Francesco Bianchi] [c1799] R. Birchall 133 New Bond Street
Score for 2 Violins, Oboe, Clarinetti, Corni in A, Viola, Fagotti, Bassi
Pandolfetto Graziosetto | a favorite Duett | Sung by Sigr. Morelli, & Sigra. Bolla, | at the King's Theatre Hay Market, | in the Comic Opera of | I Zingari in Fiera. | Composed by Sigr. Paesiello [c1795] Rt. Birchall 133 New Bond Street
Vocal duet scored for Oboe, 2 Violins, Lucrezia, Basso
La mia Pastorella, | A Favorite Duet, | as Sung by Madame Bolla & Sigr. Morelli, | in the Opera of | La Pastorella Nobile | Composed by Sigr. Guglielmi [c1800] Rt Birchall 133 New Bond Street
Tristarella tu non M'Intendi | A Duett, | In the Intermezzo of | Li Due Svizzeri. | Sung by | Mme. Banti & Mr. Viganoni, | Composed by | G. G. Ferrari [1799] Printed for the author .. 34 Great Marlborough Street
Score for 2 Violins, Oboe, Corni in A, Fagotti, Viola, Giletta, Brunello, Piano, Bass
Cavatina | Lunghi dal caro bene | Sung by Sigr. Marchesi, | in the Opera of | Giulio Sabino | Composed by | Sigr. Sarti [c1800] Rt Birchall 133 New Bond Street
Tralle Foreste | Cavatina | Sung at the King's Theatre, Haymarket | By Signor Viganoni | In the Intermezzo of | Li due Svizzeri | Composed by | G. G. Ferrari [c1799] Printed for the Author .. 34 Great Marlborough Street
Score for Violino I & II, Flauto, Clarinetto, Fagotto, Viola, Brunello, Piano-Forte, Basso
Questo è dunque il loco usato | The Favorite Cavatina, | As Sung by Sigr. Viganoni in the | Opera of | Nina | Composed by Sigr. Paesiello [c1800] Rt. Birchall 133 New Bond Street
The | Favourite Song of | Dulce Domum | Performed Annually at | Winchester College | the Evening preceding the | Summer Vacation | adapted for the | Harpsichord, Piano-Forte | Guitar and Flute Rt Birchall 133 New Bond Street
An | English Version | of | Domum | Set to Music | by | George William Chard | Organist | of the Cathedral & College | at Winchester [1815?] Jas. Robbins [Winchester], London at Bland & Wellers 23 Oxford Street
When Love has Charm'd | A Favorite Song | The Poetry by M. E. D | The Music by | G. G. Ferrari [1825?] Printed for the Author .. No. 34 Great Marlborough Street
The Opera Music Warehouse | When forc'd from her I Love, to part | Ballad | with a | Piano Forte or Harp Accompaniment [1805] Monzani & Cimador 3 Old Bond Street, near Piccadilly
In vain I mourn in vain I sigh. | The much admired Air | Sung by Miss De Camp in the Comedy of | The Honey Moon | Now Performing with universal applause | at the | Theatre Royal Drury Lane | Composed by | M. Kelly [c1805] Printed & sold by M. Kelly at his Music Saloon, 9 Pall Mall :: :: Engraved by J. Balls, No. 8, Middle Scotland Yard, Whitehall
The Kiss | A Favorite Song | with an Accompaniment for the | Piano Forte | Composed by G. G. Ferrari | Words by a Lady [c1805] Printed & Sold by M. Kelly 9 Pall Mall
A | Third Sett of Six | Concertos | for the | Harpsichord or Piano Forte | with Accompaniments for two | Violins and a Bass, two Hautboys | and two French Horns ad Libitum | Humbly dedicated to | Mrs. Pelham | and composed by | John Christian Bach | Music Master to | Her Majesty the | Queen of Great Britain | Opera XIII [1777] John Welcker 9 Haymarket, opposite the Opera House
Keyboards only. Added marks in nos. 2.III, 4.I & 4.III
pp.1-56 Sig. Mary E. Hay on t.p.
No. 1 in C. Allegro; Rondeau Allegretto No. 2 in D. All[egr]o con Spirito; Andante; Allegro No. 3 in F. Allegro con brio; Rondeau Allegro No. 4 in B flat. Allegro; Andante; Andante con moto No. 5 in G. Allegretto; Tempo di Minuetto No. 6 in E flat. Allegro; Andante /Tempo di Minuetto
A | Select Sonata | for the | piano Forte | by Sgr. Edelmann, Op. 7 ['La Capriccieuse'] J. Dale 132 Oxford Street
In E flat
pp.2-7
La Gemisante tres lent; Pas trop vite; Menuets 1 & 2 Also: A Catalogue of Vocal and Instrumental Music of J. Dale 132 Oxford Street London (late Babb's)
Select Concert pieces, | fitted for the | Harpsichord | or | Piano Forte, | with an Accompaniment for the Violin | by | Robert Bremner | Number VI [Geminiani's Op. 4 No. 4] [1785] Sold at his Music Shop opposite Somerset House in the Strand :: :: Neele sculp. 352 Strand
Loch Erroch Side | Set for the Harpsichord with Variations by | Domenico Corri | and Humbly Dedicated to | Miss Montagu Dundas of Melville [c1780] Corri & Sutherland, Music Sellers to Her Majesty, Edinburgh
Over the Muir along the Heather | A Favorite | Scotch Tune and an Allemande with Variations for the Harpsichord | by | Sigr. Corri [1810] Corri & Sutherland Bridge St. Edinburgh
Three | Sonatas | for the | Piano Forte or | Harpsichord | with an accompanyment for a Violin Composed & | most Respectfully Dedicated to the Right Honble. | Lady Charlotte Hay | by | Natale Corri | Op. 1st [c1790] Corri & Sutherland Edinburgh :: :: James Johnson Sculpt. Edinr.
Both Violin and Cembalo parts printed
pp.2-33
No. 1 in E flat. Grave; All[egr]o Spiritoso; Rondo Allegretto No. 2 in C. Allegro Scherzoso; Rondo Allegretto No. 3 in D. All[egr]o Spiritoso; The London or Birkshire March with Variations / And[an]te
Subscription edition: one of the subcribers is the dedicatee
Four | Sonatas | for the Harpsichord | or | Piano Forte | with an Accompaniment for a | Violin | Composed by the celebrated | Mr. Edelmann | Opera V [c1790] Longman & Broderip No. 26 Cheapside and No. 13 Hay Market
Only Keyboard printed
pp.1-27 Plate no. 63 Fingering added to No. 1
No. 1 in A (fingered). Allegro Brillante; Andante Gratioso; Tempo di Minuetto No. 2 in g minor. Andante; Allegro con molto No. 3 in c minor. Allegro Spiritoso; Andantino; Allegro molto No. 4 in d minor. L'invocation; Spiritoso
Six | Solos | for the | German Flute or Violin, | with a Thorough Bass for the Harpsichord | Composed | and Humbly Dedicated | To the Right Honourable | Lord MacDonald | by | Geo. Muschet | Opera 1st [1805?] Printed by and for Geo. Muschet and Sold at the Music Shops in Town and Country :: :: J. Johnson Sculpt.
pp.1-18
No. 1 in G. Allegro Moderato; Andantino; Tempo di Minuetto No. 2 in D. Allegro; Andante; Rondo Allegro No. 3 in C. Allegro; Andantino / Cantabile; Allegro No. 4 in G. Allegro con Spirito; Largo; Allegro No. 5 in D. Allegro; Andantino Sostenuto; Minuetto No. 6 in G. Allegro Moderato; Andantino; Giga
Pleyel's | celebrated | Concertante | as Performed with the greatest applause | at the Pantheon and Hanover Square | Concerts, | adapted for the | Harpischord | or Piano Forte [with an Accompaniment for a Violin] [c1800?] Printed and Sold by N. & M. Stewart No. 40 South Bridge, W. .. Edinburgh :: :: J. Johnson Sculpt.
A | Favorite Quartetto | From | I. Pleyel Op. 1 | Adapted for the | Harpsichord or Piano Forte | With a Violin Accompanyment | by | Natale Corri [c1801] Corri & Sutherland Bridge Street, Edinburgh
pp.1-7 Some pencil corrections
In E flat. Allegro con Spirito; Minuetto; Adagio ma non Troppo / Finale
Two | Grand | Sonatas | for the Harpsichord or | Piano Forte | with an Accompanyment for a | Violin ad Libitum; | Composed by | Ignace Pleyel. | Op. VII [c1787-89] Preston 97 Strand & Exeter Change
pp.1-17 Some pencil fingerings in both pieces
No. 1 in B flat. Allegro; Adagio; Finale Allegro No. 2 in G. All[egr]o assai; Moderato con Variazioni; Rondo Allegro
A Favorite | Sinphonie, | for the | Piano Forte, | with Accompanyments for a | Violin and Violoncello, | Compos'd by | Leopold Kozeluch. Opera XXII [c1790] Corri & Co. [North Bridge Street] Edinburgh and No. 67 Dean St. Soho :: :: J. Allen sculpt Haxton
In D
pp.2-13
Adagio-Allegro; Poco Adagio; Minuetto Vivace; Presto Con Foco Also: A Catalogue of Music of Corri 67 Dean St.
[Caption title:] Ditters Nobile Dittersdorf's | Grand Overture for the Harpsichord J. Bland 45 Holborn
In C
pp.132-6
Allegro assai; Andante; Allegro
Bland's Collection = 'Bland's Collection | of | Sonatas, Lessons, Overtures, | Capricios, Divertimentos &c.&c. | for the | Harpsichord or Piano Forte, | without Accompts, by the most Esteem'd Composers' - a numbered monthly publication, each of 10 pages divided between two musical items
Krumpholtz | Favorite Harp Concerto | adapted for the | Harpsichord | or | Piano | Forte, | by | J. L. Dussek | as Performed with the utmost applause | by Him and | Muzio Clementi [c1790] London Printed by Longman & Broderip No. 26 Cheapside and No. 13 Haymarket, Manufacturers of Musical Instruments and Music Sellers to their Majesties .. [&c.]
In F. Concluding bars only of the Rondo Allegro as for Keyboard. Thereafter parts for Basso, Vn.I, Vn.II
[Caption title:] A [Favorite] Miscellaneous Lesson | First Movement by Maldere - an Italian Minuet, and a Rondo by Haydn, | Arranged for the Harpsichord | by | Domenico Corri [c1790] Corri & Sutherland, Edinburgh
In D
pp.155-160
Allegro; Italian Minuet, Tempo di Minuetto; Rondo And[an]te
'A | Favorite | Miscellaneous Lesson | from | Different Authors Adapted for the | Harpsichord | or | Piano Forte | by | Dom. Corri' (from Corri's 'A Select Collection of Choice Music for the Harpsichord or Piano Forte')
A Concerto | for the | Piano Forte | in which is introduc'd the | favorite air of Malbrouk, | with accompanyments for two | Violins, Flutes, Horns, Alto and Bass, | Compos'd by | Phillip Cogan of Dublin | Op. V [c1790] Corri & Sutherland, Music Sellers to Her Majesty, Edinburgh and D. Corri No. 67 Dean Street Soho
The | Battle of Rosbach | A favorite Sonata for the | Piano Forte or Harpsichord, Composed by Sigr. Graun, | with considerable Additions [1780?] Printed for S. A. & P. Thompson No. 75 St. Paul's Churchyard
Six sonatas | for the | Piano Forte or Harpsichord; | With an Accompaniment for a | Flute or Violin, and Violoncello: | Composed, and Dedicated (by Permission) to | Her Majesty | The Queen of Great Britain; | By Ignace Pleyel [c1790] Longman & Broderip, London :: :: Sold by J. Watlen North Bridge
Keyboards with Flauto included
pp.2-101 Fingerings in 1 & 3
Sonata 1 in C. All[egr]o Vivace; Rondo Moderato; Presto Sonata 2 in G. Allegro; Adagio; Rondeau Allegro molto Sonata 3 in B flat. Allegro molto; Variazioni Sonata 4 in D. Undesignated; Andante; Rondo Allegro assai Sonata 5 in e minor. Undesignated; Andantino; Rondeau / Allegretto Sonata 6 in D. Allegro; Allegro molto / Rondeau Also: Catalogue of 'Musical Publications' Longman & Broderip .. Apollo No. 26 Cheapside & No. 13 Haymarket
Three | Grand Sonatas, | for the | Piano-Forte or Harpsichord | In which are introduced for the Subjects of | The Adagios & Last movements, | Select | Scotish Airs | with Accompanyments for a | violin and Violoncello, | Composed by | Ignace Pleyel. (second set) [c1790] Preston & Son. 97 Strand
Keyboard only
pp.39-71
Sonata 4 in G. Allegro; Chanson Ecossoise / Rondo Moderato Sonata 5 in B flat. Allegro; Air Ecossois / Adagio Espressivo; Rondo Air Ecossois / Allegro Sonata 6 in A. Moderato; Rondo Air Ecossois / Allegretto / Scherzando - All[egr]o molto
How Charming a Camp is | A favorite song | sung by Mrs. Bland in | The Prisoner | Composed by T. Attwood [c1792] Longman & Broderip 26 Cheapside & 13 Haymarket
Twin Roses you've archly contriv'd | Sung by Mr. Johnstone | in the | Travellers in Switzerland Composed by | W. Shield [c1794] Longman and Broderip 26 Cheapside and No. 13 Haymarket
'Breathe soft ye Flutes' | A favorite Song, | as sung with the greatest applause by | Mrs. Harrison, | at the Vocal Concerts, | Composed by | J. W. Callcott, B.M. [c1794] J. Dale 19 Cornhill & No. 132 Oxford Street
There was a little Woman | the favorite Comic Song | introduced and Sung by Mr. Fawcett | in | Crotchet Lodge. [Farce by Thomas Hurlstone] [c1795?] Longman & Broderip No. 26 Cheapside and No. 13 Haymarket
Each joy in Thee Possessing | a Favorite Duett | Sung with universal applause by Mr. Kelly and Mrs. Crouch at the Theatre Royal | Edinburgh [c1800] Corri, Dussek & Co. London and No 37 North Street Edinburgh
pp.1-4
Composed by Gluck; English words by Elizabeth Sheridan
Blow high, blow low | The Words, and music, by C. Dibdin | As Sung by Mr. Rheinhold, in The Seraglio, & Mr. Bannister in Thos. & Sally [1783-1810] Printed for & Sold by A. Mc.Gouan, Glasgow
The Heaving of the Lead, | A favorite Song | sung by Mr. Incledon in | Hartford Bridge | Composed by | W. Shield, | With an additional Stanza [1782-92] Longman & Broderip No. 26 Cheapside and No. 13 Haymarket
She dropt a Tear & cried be true | A favorite Sea Song | composed by | J. Moulds late pupil to Mr. Linley [c1790] G. Goulding 6 James Street, Covent Garden
Re-issue? of Feast of Apollo Vol.1 No. 5, pp.40-42
Anna's | Lullaby | The Words written, and Sung at the | Theatre Royal in the Haymarket | by | Mr. Johnstone | Composed by | T. Carter [c1775?] Printed for the Composer and sold by Longman and Broderip No. 26 Cheapside and No. 13 Haymarket
Sweet Lilies of the Valley | a favorite Song, Sung with universal Applause at | Vauxhall Gardens, by Master Shepherd | Composed by Mr. Hook | to words by Richardson Esq. | for 2 Violins and a Bass [1792] Longman & Broderip No. 26 Cheapside and No. 13 Haymarket
My Love to War is going | A Song [by Miss Alderson] | with an Accompaniment | for the | Piano-Forte [by Mr Twiss (or Biggs?] [1797] Rt. Birchall 133 New Bond St
Old Benbow's Fate | A Favorite New Song | Composed and Sung by | Mr. R. B. Holland, | at the Theatre Royal Edinburgh [c1800] Corri, Dussek & Co. No. 37 North Bridge Street Edinburgh and No. 67 and 68 Dean Street Soho London
[Caption title:] Schetkey: Concerto in G [Flauti] [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
Parts for Flauti Primo e secondo. Allegro; Largo; Rondo. For Keyboard see C05/2:15
Sig. Mary E. Hay in top r. h. corner
D. Corri's A Select Collection .. pp.102-110 i.e. "A Select Collection | of | Choice Music | for the | Harpsichord or Piano Forte | Consisting of Concertos, Sonatas, Duetts, National Airs | with Variations &c. &c. &c. | And with their proper Accompanyments .. Domenico Corri" Vol. 1 (pp.1-167) - See also items C05/2(1)-C05/2(24)
[Caption title:] Idèes de Campagna | With an Acompaniement for a | Violin & Violincello | Composed by | Ferdinand Staes [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In F. Keyboard only
Largo Grave; Presto; Largo; Allegro Spiritoso; Minuetto; Rondo Allegro Grazioso
D. Corri's A Select Collection .. pp.1-12. See note at C05/1
[Caption title:] The celebrated Chacone | Composed by | Signor Jomelli | Adapted for the Harpsichord or Piano Forte | by | Sigr. Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In E flat
Andante Maestoso
D. Corri's A Select Collection .. pp.13-15. See note at C05/1
[Caption title:] A Miscellaneous Lesson | (in which are introduc'd a few Scotch Tunes) | Composed by | T.H. Butler [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In C
Many pencil marks
Allegro
D. Corri's A Select Collection .. pp.16-18. See note at C05/1
[Caption title:] A Celebrated Overture | Composed by | Giuseppe Hayden | Adapted for Harpsichord or Piano Forte | by Sigr. Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In E flat
Allegro molto; Adagio Cantabile ; Minuetto Allegretto; All[egr]o Assai
D. Corri's A Select Collection .. pp.19-28. See note at C05/1
[Caption title:] A Favorite Lesson with Accompaniements | For a Violin and Bass | Composed by | Leopoldo Kuzeluch [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In D. Keyboard only
Pencil marks added
Allegro Spiritoso; Larghetto; Rondo Allegro
D. Corri's A Select Collection .. pp.29-36. See note at C05/1
[Caption title:] A Favorite Sonata | with a Violin Accompaniement | Composed by | J. E. Sterkel [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In C. Keyboard only
All[egr]o Moderato; Rondo Allegretto
D. Corri's A Select Collection .. pp.37-40. See note at C05/1
[Caption title:] A Second Favorite Sonata | with a Violin Accompaniement | Composed by | J. E. Sterkel. [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In G. Keyboard only
Allegro Moderato; Rondo Allegretto
D. Corri's A Select Collection .. pp.41-46. See note at C05/1
[Caption title:] The Favorite Concerto | with Accompaniements | for Two Violins Tenor & Violincello | Composed by | L. Kuzeluch [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In B flat. Keyboard only
All[egr]o Spiritoso; Rondo Allegretto
D. Corri's A Select Collection .. pp.47-55. See note at C05/1
[Caption title:] The Soldier Tir'd | A Celebrated Song of Dr. Arne | Arraing'd as a Lesson for the Harpsichord | by | Sigr. | Dominico Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In D.
All[egr]o Spiritoso
D. Corri's A Select Collection .. pp.56-58. See note at C05/1
[Caption title:] A Lesson or Duett | For the Harpsichord or Piano Forte | Composed Originally by | J. F. Sterkel | And arrainged as a Duett | by | Sigr. Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In G. 'When performed as a Lesson, play the 1st and 3rd line, and when as a Duett the 1st and 2nd line as inclos'd'
[Caption title:] Nardini's Minuet & Teodora's Cotillion | The former with Variations And the later made into a Rondo | by | Sigr. Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In A
Pencil marks
Tempo di Minuetto; Teodora Cotillion / Allegretto.
D. Corri's A Select Collection .. pp.79-83. See note at C05/1
[Caption title:] Handel's Overture | in the Occasional Oratorio | Adapted for the Harpsichord [by D. Corri] [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In D.
And[an]te Sostenuto - Allegro; Adagio; March / And[an]te
D. Corri's A Select Collection .. pp.84-88. See note at C05/1
[Caption title:] Loch Eroch Side | Adapted as a Duet for Two Performers, on the Harpsd. or Piano Forte | by | Sigr. Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In G. Several pencil marks
D. Corri's A Select Collection .. pp.89-93. See note at C05/1
[Caption title:] Haydn's | Much admired Overture | Sett for the Harpsichord or Piano Forte | by | Domenico Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In F
Presto; Adagio; Allegro di Molto
D. Corri's A Select Collection .. pp.94-101. See note at C05/1
[Caption title:] A Concerto | With Accompaniements for Two Violins Two Flutes and a Bass | Composed by | J. G. C. Schetkey [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In G. Keyboard only. Pencil marks. For Flute parts see C05/1
Allegro; Largo con moto; Rondo.
D. Corri's A Select Collection .. pp.102-110. See note at C05/1
[Caption title:] Corelli's Grand concerto [ie The 'Christmas' Concerto] | Op. VIII | Arranged for the Harpsichord or Piano Forte | by | Domineco Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
D. Corri's A Select Collection .. pp.111-114. See note at C05/1
[Caption title:] Three Sonatas | For the Harpsichord or Piano Forte | Composed by | Domenico Corri | Op. V [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
i. 'La Bizzarra'. In C. All[egr]o Vivace; Rondo And[an]te Semplicemente (pp.115-121 ii. 'La Disinvolta'. In D. Allegretto; Cantabile (Scotch Air); Rondo Allegretto (pp.122-129) iii. 'La Scherzosa'. In E flat. All[egr]o Spiritoso; Scerzando; And[an]te con moto (Scotch Air) (pp.130-135)
D. Corri's A Select Collection .. pp.115-135. See note at C05/1
[Caption title:] A Favorite Lesson for the Harpsichord (Called March) | By | Monr. Schobert [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
[Caption title:] A Favorite Lesson for the Harpsichord (Called July) | by | Monr. Schobert [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In G
Andante / Pastorale; Minuetto; Allegro Molto
D. Corri's A Select Collection .. pp.142-144. See note at C05/1
[Caption title:] Lunardi's flight | A Rondo for the Harpsichord | by | Domenico Corri [1785?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In F
Andante; The Spa Cottillion / Allegretto; Primo Tempo Also: Celebrates the Italian aeronaut Vicenzo Lunardi (1754-1806)
D. Corri's A Select Collection .. pp.145-147. See note at C05/1
[Caption title:] A Violin Concerto | By | Jarnovick | Adapted for the Harpsichord | by | Domineco Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In A
Allegro Moderato; Rondo Allegretto
D. Corri's A Select Collection .. pp.148-154. See note at C05/1
[Caption title:] A [Favorite] Miscellaneous Lesson | First Movement by Maldere - an Italian Minuet, and a Rondo by Haydn, | Arranged for the Harpsichord | by | Domenico Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In D
Allegro; Italian Minuet, Tempo di Minuetto; Rondo And[an]te
D. Corri's A Select Collection .. pp.155-160. See note at C05/1
[Caption title:] A Sonata | for the Piano Forte | Composed by | F. A. Hoffmeister [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
[Caption title:] A Favorite Irish Air | Made into a Rondo for the Harpsichord | by | Domenico Corri [c1790?] Printed for Corri & Sutherland, Edinburgh :: :: J. Johnson Sculpt.
In D
Allegretto
D. Corri's A Select Collection .. pp.165-167. See note at C05/1
Six | Sonatas | for the | Harpsichord, | or | Piano Forte; | with a Violin Accompaniment: | Respectfully Dedicated to | Lady Clarges | by | Antonio Sacchini | Opera III [1799 1779] R. Bremner in the Strand :: :: Flyn Sculp.
Keyboard only
pp.2-49 Sig. Miss Forbes (maiden name of Hon. Mrs Hay) on t.p.
No. 1 in B flat. All[egr]o Commodo; Minuetto No. 2 in C. All[egr]o Spiritoso; Allegretto No. 3 in A. Allegro; Allegretto con moto No. 4 in E flat. Allegro; Andante ma non Presto No. 5 in F. Allegro; Tempo di Minuetto No. 6 in E. Allegro; Allegretto
Six | Favourite Sonatas, | for the | Piano Forte or Harpsichord | with an Accompaniment for a | Violin, | Composed by | Venanzio Rauzzini | Opera Prima [1777] John Welcker No. 9 Hay Market Opposite the Opera House.
Keyboard
pp.1-41
No. 1 in C. Allegro; Presto No. 2 in B flat. Allegro; Rondeau No. 3 in G. Allegro; Rondeau No. 4 in A. Allegro; Tempo di Menuetto No. 5 in D. Undesignated; Rondeau No. 6 in F. Allegro; Adagio; Allegro
Six | Trios | for the | Harpsicord | or | Piano Forte | with an accompanyment for a | Violin and a Violoncello | ad libitum | Composed & humbly dedicated to the | Baroness Dieden | by | Ernesto Eichner. (Op. l) [1770?] Welcker Gerrard Street Soho :: :: Flyn fecit
No. 1 in B flat. Allegro; Tempo di Menuetto No. 2 in F. Andante; Allegretto Scherzando No. 3 in c minor. All[egr]o ma non troppo; Menuetto No. 4 in D. All[egr]o ma non troppo; Allegro No. 5 in G. Allegro; Menuetto No. 6 in E flat. All[egr]o non molto; Tempo di Menuetto
Three | Sonatas | for the Harpsichord | or | Forte Piano | with Accompanyments for a | Violin and Bass | ad Libitum | Composed by | Emesto Eichner | Opera 3rd [1775?] R. Bremner opposite Somerset House in the Strand.
Keyboard only
pp.2-19
No. 1 in A. Andantino Molto; Allegro No. 2 in B flat. Allegro moderato; Tempo di Menuetto No. 3 in E flat. Andantino Poco Adagio; Allegro
Six | Trios | for a | Harpsichord | Violin Obligato and Bass | Composed | and humbly Dedicated to the | Honble. Mrs. Duff, of Echt; | by | Robert Barber | Opera 2da [Harpsichord] [1783] Wm. Napier Corner of Lancaster Court, Strand
Keyboard only. For Basso and Violino parts see B21/8 and B21/11
pp.2-30
No. 1 in A. Allegretto; Minuetto No. 2 in C. Larghetto; Allegro Moderato; Minuetto No. 3 in G. Allegretto; Rondo Moderato No. 4 in B flat. Allegro; Rondo No. 5 in E. Allegro; Rondo All[egr]o moderato No. 6 in E flat. Andante con Expressione (with four vars.); Minuetto
Fraser C08 HONBLE. MRS HAY NO. 8 Item 1(1-6), with title page removed, appears to be a grouping of overtures by Piccinni and others adapted for the harpsichord by the publisher, Robert Bremner
Six | Overtures | composed by | C. F. Abel, | Adapted for the | Harpsichord | or | Piano Forte | by the Author | being Opera First [1769] R. Bremner, facing Somerset House in the Strand.
pp.1-25 Fingerings added in No. 3
No. 1 in B flat. Allegro di Molto; Andante; Allegro No. 2 in C. Allegro Assai; Andantino; Allegro No. 3 in D. Allegro; Andantino; Allegretto No. 4 in E flat. Allegro; Undesig. (with Violino or Flauto part); Tempo di Menuet No. 5 in F. Allegro di molto; Andantino; Allegretto No. 6 in G. Allegro assai; Andantino; Minuet
Six | concertos | for the | Harpsichord, or Piano Forte | With an Accompanyment for | Two violins, and a Bass; | Composed and dedicated to | Her Grace the Duchess of Ancaster | by | J. S. Schroeter | Opera III [c1775] W. Napier Strand
Keyboard only. For Violino Secondo and Basso see B21/2-3
pp.2-50 Well used volume with fingerings added in nos. 1, 3, 4 and 5
No. 1 in F. Allegro; Rondo Tempo di Minuetto No. 2 in B flat. Allegro; Rondo Grazioso (Many thumbprints) No. 3 in C. Allegro; Grazioso; Rondeau No. 4 in D. Allegro; Grazioso; Rondeau No. 5 in G. Allegro; Rondo Grazioso No. 6 in E flat. Allegro Spiritoso; Larghetto; Rondo Presto
A Favourite | Concerto | Adapted for the | Harpsicord | or | Piano Forte | Composed by | Giovanni Christiano Fischer [Concerto in E flat, No. 2] [1765?] Welcker in Gerrard Street, St. Ann's Soho :: :: Engraved by Straight & Skillern, St Martin's Lane
A | Favourite | Concerto | for the | Harpsichord | Composed by | Gio. Christiano Fischer [Concerto in C, No. 1] [1768?] Welcker in Gerrard Street St. Ann's Soho
A | Third | Concerto | adapted for the | Harpsichord | or | Piano Forte | Composed by | John Christian Fischer [Concerto in C] [c1774] Welcker in Gerrard Street St Anne's Soho
A Favourite Air Sung by Miss Catley in | Love in a Village; ('Come live with me and be my Love') [by T.A. Arne?] [c1780] Neil Stewart, Parliament Square Edinburgh
Six | Progressive | Sonatas | And Six Preludes | for the | Harp | or Piano Forte | Composed and Dedicated | to | Miss Lloyd | by | C. Barbieri | Op. 14 [c1800] London Printed for the Author | Sold by Messrs. Goulding & Co. No. 45 Pall Mall, and Messrs.
Urbani & Liston No. 10 Princes Street Edinburgh :: :: [Also] Sold by N. Stewart & Co. No. 37 South Bridge St. Edinburgh
pp.2-29 Sig. Mary E. Hay on t.p. Sig. C. Barbieri at foot of t.p.
No. 1. Preludeo in C, Sonata in C. Allegro assai; Andante Scots Air / Rondo No. 2. Preludeo in D, Sonata in D. Adagio; All[egr]o assai; Allegretto La Chasse; Tempo di Menuetto; Allegro No. 3. Preludeo in F, Sonata in F. All[egr]o Maestoso; Allegretto Scots Air Miss Mary Helen Campbell Delight No. 4. Preludeo in e minor, Sonata in e minor. Allegro; Romanza Amoroso ('King George the IIId. Blessed Escape from Assassination'); Finale Vivace No. 5. Preludeo in B flat, Sonata in B flat. All[egr]o; Aria Andante 'Vous l'Ordonné' con Variazione No. 6. Preludeo in E flat, Sonata in E flat. Adagio; Allegro; Allegretto Original Scotch Air; Vivace Finale
Musica | Del Ballo intitolato | La Ritrovata Figlia di Ottone ii | Composta, | e ridotta ad Uso di Cembalo, o Piano Forte | Dedicata | A S.M. L'Imperatrice | Maria Teresa de Bourbon | Regina d'Ongheria, e Boemia Arciduchessa d'Austria &c. &c. | Dall'umilissimo, e rispettosissimo Servitore | Leopold Kozeluch. | Maestro di Musica della Camera di S.M. | Op. 39 [c1798?] Rt Birchall 133 New Bond Street
Three | Grand Sonatas, | for the | Piano Forte or Harpsichord, | In which are introduced for the Subjects of | The Middle & Last movements, | Select | Scotish Airs, | With Accompanyments for a | Violin and Violoncello, | Composed by Leopoldo Kozeluch | First Set [ed. George Thomson] [Keyboard] [c1797] T. Preston & sold .. No. 97 Strand & at the house of G. Thomson, York Place Edinburgh :: :: Neele Sculpt. 352 Strand
No. 1 in G. Allegro; Air Ecossois / Larghetto; Rondeau Allegretto / Ecossois No. 2 in B flat. Allegro; Ecossois; Andante moderato; Ecossois / Rondeau Grazioso No. 3 in C. Allegro; Air Ecossois / poco Adagio; Allegretto
Three | Grand Sonatas, | for the | Piano Forte or Harpsichord, | In which are introduced for the Subjects of | The Middle & Last movements, | Select | Scotish Airs, | with Accompanyments for a | Violin and Violoncello, | Composed by | Leopoldo Kozeluch | 2nd Set [ed. George Thomson] [Keyboard] T. Preston & sold .. No. 97 Strand & at the house of G. Thomson, York Place Edinburgh :: :: Neele Sculpt. 352 Strand
No. 4 in F. Allegro; Irish air / Adagio; Allegretto; Ecossois; Andante Espressivo; Tempo Primo No. 5 in A. Allegro; Air Ecossois / Andantino con Variazini; Air Ecossois / Allegretto No. 6 in g minor. Allegro; Air Ecossois; Adagio Espressivo ; Air Ecossois / Allegro con Fuoco
To | The King, | By His Majesty's Gracious permission | are Humbly Inscribed | the three following Sonatas for the | Piano Forte | with Accompaniments for a | Violin (or Flute) & Violoncello, | By | his most Dutiful Servant | Matthew Camidge | Op. 7 [pre-1800] Preston .. 97 Strand
Three Quartets | for the | Piano Forte | or | Harpsichord, | by | Ignace Pleyel; | from the set dedicated to the | King of Prussia | adapted by | Mr. Lachnitz. [Op. 4?] Printed for H. Andrews No. 129 New Bond Street :: :: [Overlabel:] Corri, Dussek & Co .. 37 North Bridge Street Edinburgh, No. 67 Dean St Soho
Cramer's | Grand March | For the Piano Forte or Harp, | with or Without the Additional Notes [1799] Sold by Rt Birchall at his Musical Circulating Library 133 New Bond Street :: Price 2/6
In E flat. Introduction / Pastoralle / Largo; Maestoso / Moderato; Pastorella / Moderato
Parissot's | Celebrated | Hornpipe | in | Barbara and Allen | Composed & Arranged | as a | Rondo | by | Sigr. Bossi [c1805] Broderip & Wilkinson No. 13 Haymarket :: :: [Overlabel:] Lavenu & Mitchell .. 29 New Bond Street
Keyboard In B flat
pp. 2-4 Sig. Mary Hay on t.p.
Largo - Allegro Also: Catalogue of music published by Broderip & Wilkinson
Mademoiselle Parisot, born c1775, French dancer; ballet 'Barbara and Allen' by J. d'Egville
La Colombe Retrouvee | an Air for the | Pianoforte with or without Additional keys | Composed | and Dedicated to | Miss C. H. | by | Louis Von Esch [c1800] Broderip & Wilkinson No. 13 Haymarket :: :: [Overlabel:] Lavenu & Mitchell .. 29 New Bond Street
Keyboard In G
pp.1-3
Andante con Espressione Also: Catalogue of music published by Broderip & Wilkinson
Four | Grand Sonatas | for the Piano Forte, | Composed by | J. B. Cramer | Op. 6 [c1800] L. Lavenu 29 New Bond Street
pp.2-41
No. 1 in D. Allegro Moderato; Poco Andante; Presto No. 2 in c minor. Allegro ma non troppo; Andante; Presto No. 3 in F. Allegro Maestoso; Adagio; Rondeau No. 4 in a minor. Allegro; Molto Largo; Presto
