The Art of | Playing on the | Violin | Containing | All the Rules necessary to attain to | A Perfection on that Instrument, with | great variety of Compositions, which | will also be very useful to those who | study the Violoncello, Harpsichord &c. | Composed by | F. Geminiani | Opera IX [c1790] Preston & Son .. 97 Strand
pp.1-8,1-51
pp.1-8 text -- pp.1-33 Essempii I-XXIV -- pp.33-51 Compos[izio]ne I-XII
Geminiani. [Rules for playing in a true taste] The Desire I have of assisting those who would perform in a just Taste | on the Violin, German-Flute, Violoncello and Harpsichord, particularly the Thorough | Bass, has induced me to publish these Compositions, the Subjects of which are such | English, Scotch and Irish Airs as are proper for the Purpose .. [There follows the granting of a Licence to print this vol. from the 29th. Day of July 1739, signed Holles Newcastle] [c1745] [London: for the Author?]
pp.2-30 The numbered pages only start with the first Song : item c.
a. Examples Of the Element of playing and singing in a good Taste b. Two Examples, (i.e. realisations of Figured Basso) c. Song I. The Lass of Peatys Mill. Accompanied by two Violins, two German Flutes Tenor and Thorough Bass d. Song II. The Night her silent Sable wore &c. e. Song III. When Pheobus bright &c. f. Song IIII. O Bessy Bell g. Airs made into Sonatas for two violins and a Bass. The Broom of Cowdenknows. Grave; Bonny Christy. Andante; Grave; Presto h. Sonata II. Bush aboon Traquair. Andante; Undesig. (looks faster) i. Sonata III. The last Time I came o’er the Moor. Grave; Allegro j. 4 Airs for a Violin or German Flute Violoncello & Harpsichord: (1) Auld Bob Morrice. Affettuoso; Allegro (2) The Country Lass. Andante; Undesig.; Allegro, Andante (3) Lady Ann Bothwel’s Lament. Affettuoso; Allegro; Undesig. (Minuet) (4) Sleepy Body. All[egr]o moderato; Undesig.
Six | Duets | for Two | Violins | Composed in an easy Stile | for the Use of | The Duke of Parma | by | D. Emanuele Barbella [1763] R. Bremner at the Harp and Hautboy opposite Somerset House
Violino Primo only
pp.2-13 Sigs. Mr. Irvine and Dr.
Blacklocky
1. In G. Non tanto All[egr]o.; Largo; Andante staccato; Minuetto 2. In C. Non tanto Allegro; Largo; Allegretto 3. In F. Non tanto All[egr]o.; Marchia; Andante Staccato; Andante Alla Francese 4. In D. Comodo; Largo; Minuetto Alla Francese 5. In C. Comodo; Largo e con Espressione; Minuetto 6. In G. Allegretto; Largo; Allegretto con Spirito
Six | Duets | For two | Violins | Composed by | Sigr. Barbella [c1765] Welcker in Gerrard Street St. Ann's Soho
Violino Primo only. For Violino Secondo see Dr 02-B/1
pp.1-10 Sig. Alexr. Irvine
1. In G. Largo; Allegro; Rondo alla Franzue 2. In C. Andante; Allegro 3. In E flat. Largo Assai; Minuetto Alla Parigina / Andantino 4. In E flat. Larghetto Andante; Allegro 5. In C. Allegretto; Largo; Presto 6. In E flat. Largo; Undesig. [Minuet]
Six | Simphonies | a deux Violons, deux Hautbois, deux Cors de Chasse, | alto Viola e Basse, | Composées & Dediées | A Son Excellence | Monsieur le Comte de Thanet | par | Charles Frederic Abel | Musicien de la Chamber de S. M. la Reine | de la Grande Bretagne | Oeuvre VII [1767] R. Bremner facing Somerset House in the Strand
Violino Primo only. For Violino Secondo see Dr 02-B/2
pp.2-16 Sig. Alexr. Irvine
1. In G. Largo; Allegro; Rondo alla Franzue 2. In C. Andante; Allegro 3. In E flat. Largo Assai; Minuetto Alla Parigina - Andantino 4. In E flat. Larghetto Andante; Allegro 5. In C. Allegretto; Largo; Presto 6. In E flat. Largo; Undesignated [Minuet]
The favorite | Overture | in all the Parts | As Performed with universal Applause | at | Messrs. Bach and Abel's Concerts | Composed by Giuseppe Haydn | of Vienna [ie Symphony No. 53] J. Preston ... 97 Strand
Six | Overtures | in Eight Parts | For | Two Violins, Two Hoboys, Two French Horns, one Tenor | with a Thorough Bass for the | Harpsicord or Violoncello | Dedicated to | His Royal Highness the Duke of York | Composed by | Charles Frederick Abel | Opera 4th [c1785 ] R. Bremner opposite Somerset House in the Strand
1. In D. Allegro; Andantino; Presto 2. In B flat. Allegro; Andantino; Minuet 3. In E flat. Allegro Maestoso; Andante; Allegro Assai 4. In C. Allegro; Andante piu tosto - un poco Vivace; Allegro assai 5. In G. Allegro; Andantino; Un poco Vivace 6. In D. Allegro; Andante; Presto
The | Periodical | Overture | In 8 Parts | Composed by | Jomelli | [Sinfonia] Number XIV [1766] R. Bremner at the Harp and Hautboy opposite Somerset House in the Strand
The | Periodical | Overture | in 8 Parts | Composed by | A. Filtz | [Sinfonia] Number VIII [c1764] R. Bremner, at the Harp and Hautboy, opposite Somerset House in the Strand
The | Periodical | Overture | in 8 Parts | Composed by | P. Crispi | [Sinfonia] Number V [c1763] R. Bremner, at the Harp and Hautboy, opposite Somerset House in the Strand
Six | Chamber Concerto's | For the | German Flute | accompanied by two Violins & a Bass | with a figured Bass for the Harpsichord | Composed by | Thomas Giordani | Opera III | Dedicated to the Right Honble. | Lord Coleraine [c1780] Longman & Broderip 26 Cheapside
1. In D. Spiritoso; Largo; Rondeau /Gracioso 2. In C. Allegro moderato; Largo; Allegretto 3. In G. Allegro; Largo; Rondeau /Affettuoso 4. In F. Moderato; Largo; Rondeau /Allegretto 5. In D. Allegro Commodo; Largo; Lango Lee /an Irish Air /Moderato 6. In G. Allegro Maestoso; Largo; Allegretto
Six | Concertos | for the | Violin | in nine Parts | by | Lewis Borghi | Humbly Dedicated | to | Richard Wynne Esqr. | Opera 2d [Violino Principale and Violino Primo] [c1782] Longman & Broderip 26 Cheapside and 13 Hay Market
1. In B flat. Moderato; Andante; Rondeau /Allegretto 2. In E flat. Allegro Maestoso; Andante /Largo; Rondeau /Gracioso 3. In D. Allegro; Andante; Rondeau /Allegretto 4. In C. Allegro Maestoso; Andante; Rondeau 5. In g minor. Adagio: Allegro; Tempo di Minuetto [N.B. After the initial intro, this is in G major]
6. In E. Allegro; Andantino; Rondeau/Allegro
Possibly the edition first published by Wm Napier of London in 1780[?] (see CPM)
Concerti Grossi | Con duoi Violini, e Violoncello di Concertino obligati, e duoi altri Violini, Viola, e Basso di Concerto | Grosso, ad arbitrio, che si potranno radoppiare: | Da | Arcangelo Corelli da Fusignano | Opera Sesta [c1800 ] Preston .. 97 Strand :: :: [Sold by J. Davie, Aberdeen]
Violino Primo del Concertino and Violino Primo del Concerto Grosso only. See also Dr 02-B/11 Violino Secondo del Concertino (pp.1-32) Dr 02-B/12 Violino Secondo del Concerto Grosso Dr 02-C/7 Viola Dr 02-D/8
Basso
pp.2-34
Secondary English title: 'XII | Great Concertos, or | Sonatas, | for two Violins and a Violincello | or for two | Violins more, a Tenor | and a Thorough Bass | which may be doubled at Pleasure. | being the sixth and last work of | Arcangelo Corelli'
[The Periodical Overture | in 8 Parts | Composed by J. Stamitz | [Sinfonia] No. VII in E flat [1764] [R. Bremner at the Harp and Hautboy opposite Somerset House in the Strand]
Three | Grand Sonatas, | for the | Piano-Forte or Harpsichord, | With Accompanyments for a | Violin and Violoncello, | In which are introduced for the Subjects of | The Adagios & Last movements, | Select | Scotch Airs, | and Favorite Pieces, | Composed by | Ignace Pleyel [c1795] J. Dale 19 Cornhill & 132 Oxford Street
1. In C. Allegro; Chanson Ecossoise Adagio; Presto / Rondo 2. In G. Allegro; Chanson Ecossoise Adagio; Rondo Ecossois Prestissmo - Lord MacDonalds Reel 3. In B flat. Presto assai; Chanson Ecossoise Adagio; The Countess of Sutherland's Reel / Rondo Presto assai
Drum Dr 02-B S.7.24 VIOLINO 2do See also Dr 02 A,C-E i.e. S.7.22 (1st Violin), S.7.21 (Viola), S.7.25 (Cello), S.7.20 (Wind, Brass and Timpani) Items1,2,4,9,10 have signature of Alex. Irvine
Stamitz. Simphonia in E flat (Viola) For Violino Primo and other parts see Dr 02-A/15
Drum Dr 02-D S.7.25 VIOLONCELLO See also Dr 02 A-C,E i.e. S.7.22 (1st Violin), S.7.24 (2nd Violin), S.7.21 (Viola), S.7.20 (Wind, Brass and Timpani) Sig. Alexr Irvine on several parts
Miss Catherine Wallis' Waltz | Composed and arranged as a | Rondo | for the | Piano Forte and German Flute | by | J. Monro Button & Whitaker 75 St. Paul's Church Yard
No. 12 Button & Whitakers | Selection of | Dances Reels & Waltzes | for the | Piano Forte, Harp, Violin or German Flute | with Figures Printed by the Editor 75 St Paul's Church Yard
Morgiana with five more new country Dances [c1801-8] Printed & Sold by Gow & Shepherd 16 Princes St., also John Gow 31 Carnaby Street, Golden Squ. :: :: J. Johnson Sculpt.
Poor Mary Anne | A Popular Welsh Air | Ar Hyd Y Nos | Arranged with Variations | for the | Piano Forte | by | John Munro Button & Whitaker 75 St. Paul's Church Yard
The Favourite Dances of 1810 | Arranged for the Piano Forte | by | Nath. Gow. | As Performed at his Annual Ball in George Street Assembly Rooms the 13th. March [c1810] Gow & Shepherd 16 Princes Street, John Gow 31 Carnaby Street Golden Square
Marquis de la Romanas | Waltz | to which is added five Favourite Dances as Performed at | The Queen's Assembly George Street 1810. The Whole Arranged and Collected by | Nath. Gow [c1810] Gow & Shepherd 16 Princes St., John Gow 31 Carnaby St. Golden Squ. London
The Heath this night must be my Bed | Written by Walter Scott Esqr | With an Accompaniment for the | Piano Forte | by | William Clarke | Organist Edinburgh [c1796-1811] J. Hamilton 24 North Bridge
Soldier rest thy warfare o'er | Written by | Walter Scott Esqr | composed | by | William Clarke [1796-1811] J. Hamilton 24 North Bridge Street :: :: Engrav. by Walker & Hutton
My Fanny dear the Evening's clear | Written by Robt. Burns | Composed with an Accompaniment for the | Piano Forte | by | John Whitaker Button & Whitaker 75 St. Paul's Church Yard
She dropped a Tear and cried be True | A Favorite Sea Song | Composed by | J. Moulds late pupil to Mr. Linley. [Ye Lingering Winds. (The Feast of Apollo No. 5)] [1790?] G. Goulding, No. 45 Pall Mall
Why o'er thy Pale cheek | A Ballad | for three characters, Set for the | Voice & Piano Forte | Written by | Thomas Brown Esqr. | The Music by | R. Tevendale [c1801-12] Muir Wood & Co. 7 Leith St. Edinburgh :: :: J. Johnson sculpt.
O Dolce Concento | A Favorite Song | sung by | Madme. Catalani | In the Opera of La Frascatana | Composed by | W. A. Mozart <sic>. The Variations by Madm. Catalani | Arranged by G. G. Ferrari [c1805-13] N. Corri Head of Leith Walk
Several vocal ornaments added
pp.1-4
O Dolce Concento is an air in Mozart's Zauberflöte. The comic opera La Fraschetana by Paisiello to a libretto by Filippo Livigni had its first performance in 1774.
The Hawthorn, or | The | Disconsolate Tar | Written and Respectfully Inscribed to Miss Ann Sorsbie of Newcastle | by | Dr. Trotter | And set to Music | with an accompaniment for the | Piano Forte | by | Mr. J. Monro, London [c1801-12] :: J. Johnson sculpt. Sold by Muir & Co. 7 Leith St.
Zephir and the Rose | A Favorite Ballad Sung by | Mrs. C. Dibdin | At | Sadler's Wells | in the Romance of the | Magic Minstrel | Written by C. Dibdin Junr. | Composed by W. Reeve Button & Whitaker 75 St. Paul's Church Yard
He Loves and Rides Away | A Favorite Ballad | as Sung with unbounded applause by | Mrs. Liston | at the Theatre Royal Covent Garden | And Mrs. Cooke | at the Theatre Royal Dublin | Composed & Arranged with an Accompaniment for the Piano Forte | by C. E. Horn Goulding & Co. 117 New Bond Street, & 7 Westmorland Street Dublin
The Beggar Boy | A Favorite | Song | sung with Universal Applause by | Mr. Incledon | In his new Entertainment | A Voyage to India | Composed by | John Davy Goulding & Co. 117 New Bond Street, & 7 Westmoreland Street Dublin
Ellen of Windermere | A Favourite | Song | sung by | Mrs. Marjerum | at | Vauxhall Gardens | Written by W. Spiller | Composed by W. Russell Goulding Phipps D'Almaine & Co. 124 New Bond Street & 7 Westmorland Street Dublin
Maid of Sorrow | A Dialogue and Duett | for a Soprano and Tenor | from | Carlyle's Arabian Poetry | Composed & | Respectfully Inscribed to the Misses Harrison | by Dr. John Clarke | of Cambridge Button & Whitaker 75 St. Paul's Church Yard
He is all the World to me | a Favorite Air | as sung with great Applause | by | Miss Bolton | at the | Theatre Royal Covent Garden | Composed by H. R. Bishop L. Lavenu 26 New Bond Street
The Exile of Erin | or | Erin go Bragh | The poetry by | Campbell | Author of the Pleasures of Hope | Arranged with an Accompaniment | for the | Piano Forte | by | John Parry J. Power 34 Strand
The Song of | Fitz-Eustace | The Poetry from | Marmion, a Tale of Flodden Field | as sung by Mrs. Ashe at the Bath Concerts | Composed by | Dr. John Clarke | of Cambridge Wilkinson & Co. (Late Broderip & Wilkinson) 13 Haymarket
The Bewildered Maid | A Ballad | sung by | Mr. Braham | in the Favourite Opera of | Kais or Love in the Deserts | as performed at the Theatre Royal Drury Lane | Composed by | Mr. Braham. Also by Mr. Philips at the Theatre Royal Dublin Goulding Phipps D'Almaine & Co., 124 New Bond Street, & 7 Westmorland Street Dublin
No. 3 | Nel Cor più non mi sento | being the Original Air of Hope told a flattering Tale | by | Paisiello | as sung with unbounded applause | by | Madame Catalani | with her own variations [c1805-13] N. Corri Head of Leith Walk Edinburgh :: :: J. Johnson Sculpt.
pp.1-4
From La Molinara (libretto by Giuseppe Palomba) first published in 1794
I Ponder many a silent Hour | Written by Miss Bethan | The Music Composed and respectfully dedicated to | Miss Lyman | by Wm. Walsh | (Late of His Majesty's Chapel Royal) Button & Whitaker 75 St. Paul's Church Yard
Then Pray thee no more come to woo | A favourite Song sung by Mrs. Dickens | in the Comic Opera | of | Two Faces under a Hood [by Thomas Dibdin and William Shield]. | Composed by | Mrs. Dickens Clementi Banger Hyde Collard & Davis 26 Cheapside
Lochinvar | Lady Heron's Song | from | Marmion of Flodden Field | by | Walter Scott Esqr. | Composed with a Piano Forte or Harp acct. | & Dedicated | to | Mrs. Billington | by | Thos. Attwood Monzani 3 Old Bond Street [and] 100 Cheapside
Sweet is the Vale | A favorite Duet | Sung with the most unbounded applause by | Mr. Woodham and Mrs. Warren | Composed by Her Grace the | Duchess of Devonshire. [i.e. Georgiana Cavendish] Philadelphia, published and engraved by John Aitken North 2nd. Street No. 76
Love my Mary dwells with thee | A Favorite Duet | The Music Selected from the | Ancient Ballads | with an Accompaniment for the | Piano Forte | by | Sir John Stevenson Mus. Doc. | The Words by | Thomas Moore Esqr. J. Powers 34 Strand W. Powers 4 Westmorland Street Dublin
The Blind Minstrell | A favorite Song | Sung by Mr. Braham | at the late Theatre Royal Drury Lane in the Opera of the | Circassian Bride, | Composed and Arranged for the Piano Forte or Harp | by H. R. Bishop L. Lavenu 26 New Bond Street
Faithless Emma | sung with Great Applause by | Mr. Spray, Mr. Vaughan and Mrs. Ashe | at the | London, Bath and Liverpool | Concerts | The Music Composed by | Sir J. A. Stevenson Mus. Doct. | The Words by G. A. Esqr. {ie Sir George Alley] of Dublin. [3rd edition] Hime & Son 53 Castle Street & 23 Church Street Liverpool
Sad, Sad is my Breast | Sung by | Miss Lyon | In the favorite Opera of | Kais | or Love in the Deserts [by Isaac Brandon and John Braham] | as performed at the Theatre Royal Drury Lane | Composed by Mr. Reeve Goulding Phipps D'Almaine & Co. 124 New Bond Street & 7 Westmorland Street Dublin
Loch na Garr | A favorite Air with an accompaniment for the | Harp or Piano Forte | Sung by Mrs. Mountain | with Unbounded Applause at the | Public & Private Concerts | Composed by | Henry R. Bishop L. Lavenu 26 New Bond Street
Johnny came a courting me | Sung with the Greatest applause | at | Vauxhall Gardens | by Mrs. Bland | The Words by Mr. Upton | The Music Composed by | Mr. W. T. Parke | respectfully inscribed to | Mrs. Bland. Engraved, printed & sold by J. Fentum 78 Strand
'Gloomy Winter's Now awa' | A Scotch Song | Written by | R. Tannahill | with Symphonys and Accompaniment by | R. A. Smith J. McFadyen, 30 Wilson Street, Glasgow
Pray Goody | The Much Admired | Ballad | as Sung with rapturous Applause | by | Mr. Sinclair | At the Theatre Royal Covent Garden, Edinburgh | in the | Burletta | of | Midas [by Kane O'Hara and Samuel Webbe Jr] | arranged for the Piano Forte by | Mr. T. Welch Penson Robertson & Co. 47 Princes Street and 4 South St. David St.
pp.1-2
Midas by Kane O'Hara first pub. 1764. S. Webbe's 4-part version 1st pub. c1795 - BUC
Stanco di pascolar le pecorelle | My eyes in slumber closing | The Favourite Pastorale with Variations | by | V. Pucitta, | Sung by Mdme. Catalani. Printed for the Author and to be had of him 40 Portland St. London
Go youth beloved | a Ballad | Sung by | Miss Matthews | in the Opera of | Love in a Village | at the Theatre | at the Theatre Royal Covent Garden | The Poetry by Mrs. Opie | The Music by | Henry R. Bishop | Composer and Director of the Music to the Theatre Royal Covent Garden Goulding, D'Almaine, Potter & Co. 20 Soho Square & 7 Westmorland St. Dublin
Jessie | The flow'r o' Dunblane | A Favorite Scottish Song | Written by R. Tannahill, | Composed & Dedicated to his friend | James Mc.farlan by R.A. Smith J. Steven, 35 Wilson St. Glasgow :: :: Engraved Walker & Hutton, Edinburgh
Summer Eve is gone and Past | From the fifth canto of | Rokeby | Composed, with an Accompaniment for the | Piano Forte | and Respectfully Inscribed to | Walter Scott Esqr. | G. F. Graham, Amateur [1810-21] Penson, Robertson & Co. 47 Princes St. & 4 South St David St.
Beauty in Tears | a Ballad | sung by | Mr. Braham | In the Grand Romance of | Lodoiska | at the | Theatre Royal Drury Lane | Written & Arranged by | John Parry ['O weep not'] Goulding, D'Almaine Potter & Co. 20 Soho Square & 7 Westmorland St. Dublin
O'er my Cottage near yon Wood | A Favorite Air | The Words by | D. A. O'Meara Esq. | Arranged with Variations for the | Piano Forte | by J. Mazzinghi Goulding & Co. 20 Soho Square & 7 Westmorland St, Dublin
Let Me wander not unseen | as sung by Mr. Dignum | in | [Handel's] L'Allegro il Penseroso Goulding & Co. 45 Pall Mall & 76 St James's St. :: :: Sold by N. Corri Edinburgh.
pp.166-169
Words from Milton. Published as separate song London c1755 - BUC
Terzetto di Cosi fan Tutte | Chanté par Mm. Barilli, Brida, e Zardi | Musique de Mozart. | Avec Accompagnement de Piano ou Harp [La Mia Dorabella] Carly et Compagnie, côté de la rue de Mariveaux
The Cypress Wreath, | Wilfred Wycliffe's Song | from the admired Poem of | Rokeby | Written by | Walter Scott Esqr. | Composed with an | Accompanyment for Harp or Piano Forte | Inscribed to Matilda | By | William Edward Heather Faulkener & Christmas (Late M. Kelly) 9 Pall Mall
The Wood-pecker | A Ballad | Written by Thomas Moore Esqr., | and Sung by Mr. Braham, | At the New Theatre Royal Drury Lane, | in the Revived Opera of | Robin Hood | Composed & Dedicated to | Miss Louisa Jones | By | Michael Kelly J. Power 34 Strand and W. Power 4 Westmorland St, Dublin
Oh! then dearest Ellen | A Ballad | Composed & Dedicated to | Miss Fanny Nickson | by | Sir John Stevenson Mus. Doc. J. Power 34 Strand and W. Power 4 Westmorland St, Dublin
pp.3-6 Plate no. 98
Also: Catalogue of Music composed by Thos. Moore Esqr. and Sir. J. Stevenson Mus. Doc. Published by J. Power 34 Strand and W. Power, Westmorland St, Dublin
Dear Charmer when the Harp I Strung | Polonaise | Sung by | Mr. Sinclair | with much applause | in the revived Opera of | Lionel & Clarissa | at the | Theatre Royal Covent Garden | Composed by Henry R. Bishop Goulding & Co. 20 Soho Square & 7 Westmorland Street Dublin
pp.1-5
From the libretto by Isaac Bickerstaffe. Pasticcio first pub. London 1768 - BUC
Love has eyes | The celebrated Ballad | Sung by | Mr. Sinclair | in the Comic Opera of | The Farmer's Wife | at the | Theatre Royal Covent Garden | Composed by H. R. Bishop | the words by C. Dibdin Junr. Goulding & Compy. 20 Soho Square and 7 Westmorland Street Dublin
The Voice of Her I Love | A Ballad | Sung with Universal Applause | by | Mr. Braham | at the | Theatre Royal Drury Lane | In the Opera of The Castle of Andalusia | Written & Arranged | with an Accompaniment for the | Harp and Piano Forte | by | John Parry Goulding D'Almaine & Potter & Co. 20 Soho Square & 7 Westmorland St. Dublin
pp.2-4
The Castle of Andalusia by S. Arnold first pub. c.1782 - BUC
Oh! remember the Time | A | Spanish Air | Arranged with | English words | by | Thomas Moore Esqr. | and Sung by | Mrs. Ashe | at the | London & Bath Concerts J. Power 34 Strand and W. Power 4 Westmoreland Street, Dublin
A Soldier's Gratitude | The Favorite Air | Sung by | Mr. Sinclair | In the | Melo Dramatic Opera Called | For England, Ho! | At the Theatre Royal Covent Garden | Composed by | Henry R. Bishop Goulding & Compy. 20, Soho Square and at 7, Westmorland Street Dublin
My Henry is Gone | A Ballad | Composed for and Inscribed to | Mrs. Ashe | by whom it was Sung | with distinguished approbation | At the Bath Concerts | Composed by | Sir John Stevenson Mus. Doc. Goulding, D'Almaine Potter and Co., 20 Soho Square and 7 Westmorland St Dublin
pp.1-5
First line: 'Oh green were the groves where with Henry I stray'd'
Oh! Never doubt my Love | A Favorite Ballad | Sung by Mr. Pyne, | in the Opera of Lionel and Clarissa | Composed and Inscribed to his friend W. B. Llewellyn Esqr. | by John Colston Doyle Wm. Dale 8 Poultry
My Dark-Eyed Maid | A Ballad, Sung by | Mr. Broadhurst | in the New Grand Romantic Drama | The Aethiop | or The Child of the Desert | as Performed at the | Theatre Royal Covent Garden | Composed and Arranged for the Piano Forte by | Henry R. Bishop Goulding, D'Almaine, Potter & Co., 20 Soho Square and 7 Westmorland Street Dublin
The Smile of the Morn | A new Glee | To the tune of the Blue Bell of Scotland [1800-13?] Printed & Sold at Janiewicz's Warehouse, Lord Street Liverpool :: :: Sold by N. Corri, Edinburgh
The | Cypress Wreath | From the Poem of | Rokeby | written by Walter Scott Esqr. | Composed by | G. Kiallmark Mitchell's Musical Library 159 New Bond Street. (Opposite Clifford Street)
A Weary Lot is Thine, Fair Maid | Written by Walter Scott Esqr. | Composed by John Ross Esqre. [c1814] [Muir, Wood & Co.] :: :: Sold by J. Hamilton, 26 Princes St
And Has she then Fail'd in Her Truth | Rondo Sung by | Mr. Sinclair | In the revived Persian Tale of | Selima and Azor | at the | Theatre Royal Covent Garden | Composed by | Henry R. Bishop Goulding & Co. 20 Soho Sqr and 7 Westmorland Street Dublin
pp.1-3
Original music by Thos Linley Sr to a libretto by Sir George Collier. 'Revision' by Bishop and Thomas Cooke
Love among the Roses | as sung with the greatest Applause | by | Mr. Sinclair | at the | Theatre Royal Covent Garden | in the revived Opera of the | Lord of the Manor | Written, Composed and Inscribed to his friend John Davy | by | John Colston Doyle Wm. Dale No. 8 Poultry
Allen A Dale | From the Popular Poem of | Rokeby | written by Walter Scott Esqr. | Composed with an Accompaniment | for the | Piano Forte by | William Edward Heather Faulkner & Christmas (Late M. Kelly) 9 Pall Mall
The Rose | A Favorite Rondo | Sung with the most enthusiastic Applause | at the | Theatre Royal Drury Lane | By | Mr. Braham | Composed | by | John Whitaker | The Words by Cunningham Button & Whittaker, 75 St. Paul's Church Yard
Tranquillo io Son Recitvo. | and | Ombra adorata aspetta | Air | as sung in the | Nobilities Concerts | by | Madame Catalani [composed by N.A. Zingharelli] M.L. Kelly, Pall Mall
How shall he his pain discover | A Favorite Rondo | The words by Edward Tiogh Esq. | Composed by Sigr. Rauzzini Goulding & Co., 117 New Bond Street, Goulding Knevett & Co. 7 Westmorland Street, Dublin
Lord Lynedoch's | March & Strathspey | Go where Glory waits thee | and | Two other Fashionable Dances | for the | Piano Forte , Violin &c. J.A. May, 81 Hutchison Street, Glasgow
A Duett | For Two performers on the | Piano Forte | In which is introduced the Air of | Su margine d'un rio | with Variations | Composed & Dedicated to | The Misses C. & E. Douglas, | of Lochleven. | by | T. Latour, Pianiste to H.R.H. the Prince of Wales Chappell & Co. 124 New Bond Street
A Favorite Collection | of | Waltzes | As Performed at the | Nobilities Fetes | Composed & Arranged for the | Piano Forte & Harp By | T. Marsano [No.1] [c1814] Goulding, D'Almaine, Potter & Co. 20 Soho Square and 7 Westmorland Street Dublin
Rondo | for the | Piano Forte | Pray Goody please to Moderate | Sung by Mr. Sinclair at the | Theatre Royal Covent Garden | Composed by | W. H. Cutler Mus.Bac. Oxon. Preston, 97 Strand
pp.1-5
Midas by Kane O'Hara first pub. 1764. S. Webbe's 4-part version 1st pub. c1795 - BUC
No. 1 | Bavarian Air | with Variations | for the | Piano Forte, Harp & Flute | Composed for | the Right Honorable | Lady Charlotte Cholmondeley | by | J. Mazzinghi Goulding, D'Almaine, Potter & Co. 20 Soho Square and 7 Westmorland Street Dublin
Hibernia | And a Much Admired Rondo | With Paddy Carey and | Lord Wellingtons | Quick Step | Arranged for the | Piano Forte | by C. Barbieri [1812-18] Muir, Wood & Co, 13 Leith St.
Rousseau's Dream | an Air with | Variations | for the | Piano Forte | Composed and Dedicated to | the Right Honble. | the Countess of Delaware by | J. B. Cramer [1814] Chappell & Co. 124 New Bond Street
Capt. Young's | Farewell to Roxburghshire | Composed by | J. Flintoff | and Arranged for the | Piano Forte | by | J. H. Rogers | with Three Favorite new Tunes [1812-18] Muir Wood & Co., 13 Leith Street, Edinburgh
pp.1-2 On reverse of t.p., an inked note: 'from Mrs. Oliphant'
First Sett | of | Beethoven's Celebrated | Waltzes | as Performed by the Band of the Theatre Royal Edinburgh | Arranged for the Piano Forte | By | W. Penson. [Three Waltzes] [1810-21] Penson Robertson & Co. 47 Princes St., J. B. Logier Sackville St. Dublin
A Third Sett of Three | Celebrated Waltzes | Composed by | Mozart | Performed by the Band of the Theatre Royal Edinburgh | with the greatest applause and arranged for the | Piano Forte | by | W. Penson [1810-21] Penson & Robertson & Co. 47 Princes Street
A Second Sett of Three Celebrated Waltzes | Composed by | Mozart | Performed by the Band of the Theatre Royal Edinburgh | With the greatest applause and Arranged for the | Piano Forte | by | W. Penson. (2nd. Edition) [1810-21] Penson & Robertson & Co. 47 Princes Street.
A Favourite Collection | of | Waltzes | As Performed at the | Nobilities Fetes | Composed & Arranged for | the | Piano Forte & Harp | by T. Marsano | No. 2 Goulding, D'Almaine, Potter & Co. 20 Soho Square and 7 Westmorland Street Dublin
Waterloo Medley | Composed by | Nath. Gow | to which are added the favorite Tunes | Composed by Him | for the Queens Assembly held in Geo. Street Rooms, on Friday the 19th. Jany 1816 [1816] Penson & Robertson & Co, 47 Princes Street. Edinburgh. Logier's Music Saloon, Sackville St. Dublin. John Gow, 30 Great Marlborough Street Golden Square, London :: :: Engraved by Walker & Anderson
Le Melange | Consisting of the most Admired | Dances | Marches Waltzes &c. | Arranged for the | Piano Forte. Lord Hardwick's March | as Performed by the Band of the Seventh or Antrim Regt. Of Irish Militia; Lady Hardwick's Waltz [1813-18] Rochead & Son. 14 Princes Street, & 370 Castle Hill Edinburgh
The | Neapolitan, Swiss, Vienna | and the | Queen of Prussia's | New | Waltzes | Arranged for the | Piano Forte [1805-13?] N. Corri, Head of Leith Walk :: :: Engraved by Walker & Anderson
The | Linlithgowshire | Local Militia's | March | Dedicated to the Rt. Honble | The Earl of Hopetoun | Colonel of the Regiment | by | Ninian Brodie | Drum Major | 1812
Score for Prima, Seconda, Piccola, Bugle; a slow march followed by a quick one. Following is an arrangement for Piano
No. 4 | A Favorite Collection | of | Waltzes | as Performed at the Nobilities Fetes | Composed & Arranged for the | Piano Forte & Harp | by | T. Marsano Goulding, D'Almaine, Potter & Co. 20 Soho Square and 7 Westmorland Street, Dublin
Oh Dear what can the matter be | A Favorite Air | with Variations for the | Piano Forte | Composed by | T. Latour A. Bland & Weller's, 23 Oxford Street
Clementi & Compy. | Collection of | Rondos Airs, | With | Variations | and | Military Pieces | for the | Piano Forte | by the most Esteemed | Composers Clementi, Banger, Collard, Davis & Collard, Cheapside
Two Military Divertissements | for the | Piano Forte | With an Accompaniment for the | Pedal Harp | Composed & Dedicated to the | Miss Doyl's | of Russell Place | by | J. B. Logier J. B. Logier's Music Saloon, 27 New Sackville St., Dublin
No. 1 | Steibelt's | Select | Original | Rondos & Airs | for the | Piano Forte [1805-13?] N. Corri, Head of Leith Walk :: :: Engraver and Printer Johnson & Anderson
The Wanderer, | A favorite | German Song | Arranged | With an accompaniment | for the Piano Forte | by | F. Schubert T. Holloway 5 Hanway Street, Oxford Street
No. 3 | Mr. Henry Russell's | Vocal Music | Dramatic and Descriptive | Scenes & Cantatas, | Illustrative Songs | and | Characteristic Ballads | Composed & Sung | by | Henry Russell. [No. 3, The Maniac] Cramer, Addison & Beale 201 Regent Street, and 67 Conduit Street :: :: Sold by D. Wyllie & Son, Aberdeen
Rossini's Lady of the Lake, | Dearest, Come in me confiding, | And | The Weary hours I've Pass'd, | As Sung at the Theatre Royal, Covent Garden by | Mrs. Alfred Shaw, | the words by | Mark Lemon, | Adapted to the English Stage, by | J. H. Tully [1843] Jefferys and Nelson, Soho Square
Can I E'er Forget the Valley | No. 1 | Songs of the Village, Written and Composed | by | A. Fry [My Good Old Father's Mill] Duff and C. Hodgson, 65 Oxford Street :: :: Sold by Wood & Co. 12 Waterloo Pl. Edinr.
I feel that thou art changed | Ballad | The Poetry from | Lady Stepney's Novel | The Three Peers, | The Music Composed & Dedicated to | C. Raper Esqr. | by | M. W. Balfe Cramer, Addison & Beale, 201 Regent Street & 67 Conduit Street
pp.1-5 Plate no. 961 Sig. Jane Irvine (in pencil) at top of page; Sig. M. W. Balfe at foot of page.
The Four-Leaved Shamrock. | No. 8 | of | The Songs of | The Superstitions of Ireland, | Sung by | Mr. Wilson, Mr. J. Russell, Mr. Gould &c. | Written & Composed | by | Samuel Lover Esqr. [1829] J. Duff & Co. 65 Oxford Street :: :: Sold by Wood & Co 12 Waterloo Pl. Edinr.
No. 4 | Six Songs. | The Poetry | Imitated from the German | by Thos. Oliphant Esqr. | The Music by | Franz Schubert. | Ave Maria. [1829] Cramer, Addison & Beale 201 Regent Street :: :: Sold by Wood & Co 12 Waterloo Pl. Edinburgh
Third Series of | Six Songs. | The Poetry | Imitated from the German | by Thos. Oliphant Esqr. | The Music by | Franz Schubert | Weary Flowers their buds are closing London Cramer, Addison & Beale, 201, Regent Street & 67, Conduit Street
Amor voce del cielo | Nocturne a Deux voix | Parole de L. Tarantini, | Composeé et Dedié à | Mame. Thayer née Bertrand, | par | Donizetti Mori & Lavenu's 28 New Bond Street :: :: Sold by R. Purdie 28 Princes St. Edinbg.
pp.1-6 (47-52) Plate no. 3870 Added marks and 'rall' in pencil
Giorno d'orrore e di contento, | Duetto | in the Opera of | Semiramide | Composed by | Rossini [1829] Metzler & Co 105 Wardour Street :: :: Sold by Wood & Co. 12 Waterloo Pl. Edinbr.
Fifth Edition. | Mira la Bianca Luna | La Serenata No. 11 | Rossini's Soirées Musicales | Duet. | Sung by | Signor Grisi and Signor Rubini. | Also by | Madame Frezzolini Poggi and Signor Poggi | in | Fioravanti's Opera, Le Cantatricci Villane. | The Words by | Count Pepoli | The Music Composed and Dedicated to | Madame La Contessa D'Apony, | by | G. Rossini [1810?] Willis & Co. 75 Lower Grosvenor Street (Near Bond Street) :: :: Sold by Purdie Edinburgh
Oh Luce di quest'anima | Cavatina, | Composed expressly for, and Sung by | Madame Persiani, | in the admired Opera | Linda di Chamouni [by Donizetti] T. Boosey & Co. 28 Holles Street, Oxford St.
Tutto è sciolto oh di funesto, | Scene ed Aria | nell' Opera | La Sonnambula | Del Mo. Bellini [1829?] T. Boosey & Co. 28 Holles St. Oxford St., Milan by John Ricordi, Paris by Launer :: :: Sold by Wood & Co Edinburgh
'Chi mi frena in tal momento' | Quartettino | in the Opera of | Lucia di Lammermoor | Composed by | Donizetti T. Holloway 5 Hanway St. Oxford St. Published by Mori & Lavenu 28 New Bond Street
Com' è gentil la Notte, | Serenade | in the Opera Buffa | Don Pasquale Composed by | G. Donizetti Cramer Addison & Beale 201 Regent Street & 67 Conduit Street
pp.1-5 Plate no. 3154
From the libretto by Donizetti and Giovanni Ruffini
Com'è gentil la Notte, | Serenade | in the Opera Buffa | Don Pasquale Composed by | G. Donizetti Cramer, Addison & Beale, 201 Regent Street & 67 Conduit Street
pp.1-5 Plate no. 3154
From the libretto by Donizetti and Giovanni Ruffini
'Ah la spem e come un fiore' | Duetto | Con Accompagnamento di Corno | Eseguito dal Signor Puzzi | introduced by | Signore Catone e, Ronconi | in the Opera of | Nina Pazza per Amore [by Giovanni Paisiello]. | Composed by | G. Benedict Mori & Lavenu 28 New Bond St.
Care Zitelle | the Favourite Duett, | As sung by Sigr Naldi & Sigra Storace | in the Opera of | Le Due Nozze e un sol Marito [by P.C. Guglielmi] | Composed by | Signor Curccio Holloway 5 Hanway St. Oxford St.
pp.1-[8]
Singers: Sebastiano Naldi, Anna Selina 'Nancy' Storace (1765-1817)
Cruda funesta smania, | Aria, | [and Pietade in suo favore] In the Opera of | Lucia di Lammermoor | Composed by | Donizetti Mori & Lavenu, 28 New Bond St.
Numi che sento? A padre! | Recitvo. e Sommo Cielo che un padre amato, | Aria | in the Opera of | La Schiava in Bagdad | Composed by | Signor G. Pacini [1827 ] Birchall & Co. 140 New Bond St. :: :: Sold by Patterson Roy George St. Edngh.
pp.1-13 Plate no. 2034 Added pauses and other marks in pencil
È pena troppo barbara | Notturno | for Two Voices | Composed by | Niedermeyer [1829] Chappell, 50 New Bond Street :: :: Sold by Wood & Co. Waterloo Place Edinb.
Tristo e fuor d'ogni speranza | Recitativo e Romanza | sung by | Signor Mario, | The Poetry by M. Maggioni | Composed by | F. Schira Cramer, Addison & Beale 201 Regent St. 67 Conduit St.
Ciel pietoso! | Aria | Composed for & dedicated to | Miss Giorgiana Monro | Craig Lockhart | by | John Thomson Esq. [1827-1829] Paterson Roy & Co. 27 George Street, Edinburgh :: :: Sold by Wood & Co. 12 Waterloo Pl. Edinburgh
Specimens | of | Various Styles of Music, | referred to in | A course of lectures, | read at Oxford & London, | and | Adapted to Keyed Instruments, | by | Wm. Crotch, | Mus.Doct. Prof.Mus.Oxon. | Vol. I(-III) Rt. Birchall, No. 133 New Bond Street
3 v. (pp.[1]-[166]; i-v, 1-153; iv,2-157) Sig. Mrs. Gregor on each t.p.
Vol. 1: pp.[1]-14 Preface -- p.[15] Table: 'Time of the Specimens' -- pp.[17]-21 Index -- pp.1-165 354 numbered items (see Note Dr 07) -- p.[166] Publications by the editor of this work Vol. 2: pp. i-v Preface dated July 1808 -- pp.1-153 120 items Vol. 3: pp. i-iv Preface -- pp. 2-157 34 items (see Note Dr 07)
Vols. 2-3 are without titlepage. Publisher may vary after vol. 1
